Dear O'Abby: Any NaNo Tips?

 Dear O'Abby,

I'm not sure if less people are doing NaNo this year or what, but I haven't seen much about it anywhere.  maybe it's just my own lack of attention on social media or something...  The death of Twitter seems to have made finding a community of writers online more difficult.

But I digress...

I am doing NaNo this year, and I'm feeling okay about what I'm writing, but I'm wondering if you have any tips to help me finish out the month?  It feels like I have a long way to go before I hit that 50K.

Best wishes,

NaNoing

Dear NaNoing,

Now that you mention it, you're right.  I haven't seen anything about NaNo anywhere either.  In fact, it wasn't until I saw this email that I realised it's well into November and I haven't offered a single NaNo tip here.  My bad!  I could blame it on the fact I'm not doing NaNo this year (too close to the end of a book to make it worthwhile), but I didn't do it last year either, and was way more aware.

In terms of tips, my best one is to just keep writing.  If you get stuck on a scene or a plot point, just write yourself a little note, skip that section and move on to a point where you know what needs to happen.  You can fill in the blanks later.  I use this approach all the time because often, after writing those later scenes, it's easier to know what needs to come before it.

Another tip I would give is not to stop to research anything.  It's far too easy to fall down an internet rabbit hole and lose hours of writing time.  If there's something you need to look up - a word in another language, the rules of beer pong, the title of a song you can't remember but know is perfect to be playing at the school dance - again, leave yourself a note and come back to it later.

Most of us have a limited amount of time to write and need to fit NaNo around other things like a day job, school, family.  If you can take a day off from any of this and just write, that's great.  Use that day to bulk up your wordcount so if you have a day later in the month where you can't write, it's not going to cause you undue stress or derail your progress.  

I also usually recommend people bank extra words early in the month while they're fresh and the book is new and exciting and you can't wait to get into it.  But it's kind of too late for that one...  I hope you did it anyway!

And those are my biggest tips.  I've had some very successful years doing NaNo, but also some very unsuccessful years.  If you don't make it to 50K, you're not a failure.  You've still started a book and some words are better than no words.  You're never going to finish a book during NaNo, so just take whatever you have written and keep going until you have.  Even if it takes you until the next NaNo to get there.

Good luck!

X O'Abby

Week #47 – One for the Money by Janet Evanovich

Last year on Mondays we had fun with books. This year, we'll look at most of the same books but also some new ones, and see if the first line [or first paragraph] met the goal of a first line which is ==> to hook the reader's attention.

Here are some tips on writing a first line

https://www.masterclass.com/articles/tips-for-writing-the-opening-line-of-your-novel

Week #47 – One for the Money by Janet Evanovich

https://en.wikipedia.org/wiki/One_for_the_Money_(novel)

https://evanovich.com/one-for-the-money/

First published:  August 26, 1994

Here's what the story is about: Stephanie Plum lost her job, her car, her marriage, and almost her apartment. She needs fast cash so asks her cousin Vinnie for a file clerk job at his bail bonds company. That job is filled but he needs a bail bonds agent, no experience necessary. Her first assignment is to find her former boyfriend, now a police detective, wanted for murder.  

First line/paragraph:

There are some men who enter a woman’s life and screw it up forever. Joseph Morelli did this to me—not forever, but periodically.

This story starts in first person POV. We learn the narrator is female and she introduces us to Joseph Morelli, a man who apparently entered her life and screwed it up, “not forever, but periodically.” The tone of voice is friendly, sassy, and revealing. She's about to tell us the story of how Morelli screwed up her life. This is one of my favorite book series, and this opening line definitely has enough intrigue to keep me turning pages.

Does this first line/paragraph hook your attention? If you had never heard of this story, would you buy this book in 2024? Knowing the story, would you change the first line? Tell us in the comments!

Dear O'Abby: Can I use Chat GPT to write a book?

 Dear O'Abby,

I've seen a bunch of stuff recently from authors who claim to have written multiple books in a year using AI and that they are making very good money from them.

As a writer who has spent several years painstakingly writing and editing and polishing my own books, and making about enough to buy one cup of coffee per quarter, I'm wondering if using Chat GPT might be a way to both speed up my output and increase my income.

Are there any issues with using Chat GPT to write a book?  I feel like there are probably pitfalls I haven't considered here...

Kind regards,

No Robot

Dear No Robot,

Technically, yes, you can use Chat GPT to write a book.  It might even turn out okay if you keep refining the prompts you give.  The machine learns from consuming an enormous amount of data from all kinds of sources and if you give it the right prompts and information to start with, it can spit something out that looks and feels like a book.

The problem comes when you try to sell that book.

Because the AI takes material from the internet to "learn" it is likely using intellectual property that belongs to someone else.  Which means you may have issues when it comes to copyrighting your AI generated book.  

There are also rules popping up all over the place about being upfront about what is and isn't AI generated.  When self-publishing through Amazon, you need to indicate whether you used AI to write the book.  I've noticed that this is also something many agents are now asking when you fill out their Query Manager forms too.

But there is a distinction between AI generated content and AI assisted content and I think there are places in the writing process where using a tool like Chat GPT could be useful.  I would never ask it to write the book for me, but it can be helpful with things like suggesting a title or character names.  It can also be helpful with research and even with outlining if you're willing to put in a lot of time and effort.

I've never tried it for editing,  but I believe it can help with that too - at least as a first pass.  It will catch grammar and syntax errors, but a set of real human eyes is still important.  The AI will likely correct things that are not grammatically correct, but are part of your own authorial voice or the voices of your characters.

One place I've found AI to be useful, is in cutting down my synopsis to the various different lengths required for different agents.  My basic synopsis for the novel I'm currently querying is close to three pages long, but some agents only want a one page synopsis, while others are happy with two and another group might want less than 500 words.  The AI generated synopses aren't perfect, but with a few tweaks and polishes, they do the job.

At the end of the day though, writing is an art and machine-generated art is never going to have the heart or the soul or the unique point of view that you write from.  Personally, I write because I love to write.  I love the process of spinning a story from my imagination onto the page and getting under the skin of my characters and discovering who they are alongside them.  It may be more time consuming than plugging a few prompts into a chat-bot and seeing what gets spat out, but it's also way more rewarding and enjoyable.

So, while I might use the odd AI tool to help me along the way, I would certainly never use Chat GPT to write for me.  Why would I deny myself the very real joys of writing?  Even when some days are painful and hard and getting royalty reports can be soul destroying. At the end of the day, writing is something I love to do and even when it's hard, I wouldn't hand my characters to a machine to deal with.  Would you hand your kids to a robot to raise?  No.  I thought not...

Week #46 – The Accidental Tourist by Anne Tyler

Last year on Mondays we had fun with books. This year, we'll look at most of the same books but also some new ones, and see if the first line [or first paragraph] met the goal of a first line which is ==> to hook the reader's attention.

Here are some tips on writing a first line

https://www.masterclass.com/articles/tips-for-writing-the-opening-line-of-your-novel

Week #46 –   The Accidental Tourist by Anne Tyler

https://en.wikipedia.org/wiki/The_Accidental_Tourist

First published:  August 12, 1985

Here's what the story is about: Travel writer Macon Leary hates travel. He loses his son and his marriage, and becomes increasingly solitary. Then he meets Muriel, an eccentric dog trainer, who upends his life.

First line/paragraph:

They were supposed to stay at the beach a week, but neither of them had the heart for it and they decided to come back early. Macon drove. Sarah sat next to him, leaning her head against the side window. Chips of cloudy sky showed through her tangled brown curls.

This story starts in the third person POV of Macon, who we assume is the protagonist. He and Sarah, possibly his wife, are returning early from a beach trip because “neither of them had the heart for it.” We are in the middle of the plot, and we are already introduced to some intrigue because we are curious why neither had the heart to continue with a beach trip. I would definitely give this story at least a chapter to see if it hooked me.

Does this first line/paragraph hook your attention? If you had never heard of this story, would you buy this book in 2024? Knowing the story, would you change the first line? Tell us in the comments!

O'Abby's November writing prompt

It's that time of year where the seasons are changing and the weather can be unpredictable, even savage.  And weather has a huge effect on us both in terms of our moods and emotions as well as the activities we might do.

This month's prompt is to write a scene that happens outdoors and to then re-write the same scene, but set in a different season with completely different weather.  Think about how the weather conditions change the character's outlook on the events happening around them, and how their actions might be dictated by the weather.

For example, in one of my books there is a scene where my POV character goes out in a blizzard to get wood for the fire and winds up nearly freezing to death when he slips on ice and sprains an ankle and can't get anyone's attention because of the noise of the wind.

If I was to rewrite the same scene, but set in the summer, it would be either a very different scene entirely, or I'd need to find a new way to create danger for my MC so he has the same level of fear for his life - and the people depending on him -  that he has in the existing scene.

Post your scenes in the comments so we can all see them.

I'll be looking forward to seeing what you come up with.

Happy writing!

X O'Abby

Week #44 – The Stand by Stephen King

Last year on Mondays we had fun with books. This year, we'll look at most of the same books but also some new ones, and see if the first line [or first paragraph] met the goal of a first line which is ==> to hook the reader's attention.

Here are some tips on writing a first line

https://www.masterclass.com/articles/tips-for-writing-the-opening-line-of-your-novel

Week #44 –   The Stand by Stephen King

https://en.wikipedia.org/wiki/The_Stand

First published:  October 3, 1978

Here's what the story is about: Stephen King's longest novel at close to 500,000 words. A post-apocalyptic story. The Department of Defense develops an extremely contagious and lethal strain of influenza, resistant to medications and vaccines, as a biological weapon. It is accidentally released, killing most of the world's population. The book follows people struggling to survive and reestablish a society. 

First line/paragraph:

“Sally.”
A mutter.
“Wake up now, Sally”
A louder mutter: leeme lone.
He shook her harder.
“Wake up. You got to wake up!”
Charlie.
Charlie’s voice. Calling her. For how long?
Sally swam up out of sleep.
First she glanced at the clock on the night table and saw it was quarter past two in the morning. Charlie shouldn’t even be here; he should be on shift. Then she got her first good look at him and something leaped up inside her, some deadly intuition.

This story starts in what appears to be the third person POV of Charlie but then looks like the third person POV of Sally. The story starts in media res, with Sally shaken awake by Charlie. We learn it's 2:15am, Charlie should be at work, he's telling her she HAS to wake up, and something about the way he looks makes her deathly afraid. At this point we don't know if either one of these characters is the protagonist, but we know they are in the middle of something scary. Well, it's Stephen King so that last observation is obvious. I'm NOT a fan of Stephen King [I'm a wimp] so I might be enticed to read the first chapter but probably not more than that. However, if I was a fan of horror stories and/or Stephen King, I'd definitely want to read more. This is a great opening page.

Does this first line/paragraph hook your attention? If you had never heard of this story, would you buy this book in 2024? Knowing the story, would you change the first line? Tell us in the comments!