Monday, March 18, 2024

Week 12 – To Kill a Mockingbird by Harper Lee

Last year on Mondays we had fun with books. This year, we'll look at most of the same books but also some new ones, and see if the first line [or first paragraph] met the goal of a first line which is ==> to hook the reader's attention.

Here are some tips on writing a first line

https://www.masterclass.com/articles/tips-for-writing-the-opening-line-of-your-novel

Week 12 – To Kill a Mockingbird by Harper Lee

https://en.wikipedia.org/wiki/To_Kill_a_Mockingbird

https://www.britannica.com/topic/To-Kill-a-Mockingbird

First published: July 11, 1960

Here's what the story is about: The story is told by 6yo Jean Louise “Scout” Finch, and set in the years 1933–1935 during the Great Depression in the fictional town of Maycomb, Alabama. Scout’s father Atticus, an attorney, is appointed to defend a black man, Tom Robinson, accused of raping a young white woman. The book explores racial and social injustice. It won a Pulitzer prize in 1961, and was made into a movie in 1962 starring Gregory Peck, who won an Oscar for his performance as Atticus.

First line/paragraph:
When he was nearly thirteen, my brother Jem got his arm badly broken at the elbow. When it healed, and Jem’s fears of never being able to play football were assuaged, he was seldom self conscious about his injury. His left arm was somewhat shorter than his right; when he stood or walked, the back of his hand was at right angles to his body, his thumb parallel to his thigh. He couldn’t have cared less, so long as he could pass and punt.

This story starts with the main character, apparently a child although she has a great vocabulary [assuaged], speaking directly to the reader in first person POV about her brother. The reader knows a little about the child by the voice. We also know a little about the brother and what he cared about. Really nothing about the plot or setting though. But character being “king” for most readers, if the characters are interesting you'd read at least a few pages.

Does this first line/paragraph hook your attention? If you had never heard of this story, would you buy this book in 2024? Knowing the story, would you change the first line? Tell us in the comments!





Thursday, March 14, 2024

From the archives - Dear O'Abby: How do I build a mailing list?

 Dear O’Abby,

 

My first book is releasing early next year and I want to get started on publicity and marketing in the next couple of months.  I have been researching a lot and everyone says that the best marketing tool is a good mailing list.  But how do I build a mailing list?  I have a sign-up form on my blog, but only five or so people have signed up.  And that’s over the last two years!  Do you have any ideas for how to build a mailing list that will actually help me?  Or do I need to buy a list from somewhere to get started?

 

Best,

 

Unmailed

 

Dear Unmailed,

 

Unfortunately mailing lists are a long game and you won’t build an amazing list overnight.  But you are correct that mailing lists are an incredibly valuable tool – you just have to be careful not to abuse them.

 

To build a good mailing list you need to have good content.  I don’t know how often you post on your blog or how many followers/regular blog readers you have, but the best way to grow your mailing list is to ensure that your blog is engaging readers.  People are not going to sign up for a mailing list on a blog that isn’t regularly updated or interesting.  So it may be time for a blog refresh, or even an opportunity to build a website for your author brand. 

 

Once you have a gorgeous, engaging and fascinating online home for your author brand, you need to ensure people visit.  Use your social channels to direct people to your blog/website.  Maybe even think of a special offer you can deliver on – a bespoke short story maybe?  Or after your book publishes, a deleted scene?  Something to entice people to sign up to your newsletter.  You can even put a pop-up window on your website so as soon as people drop by, they’ll see that they can get something free if they sign up.  Whatever you do, make sure the option to sign up to your newsletter is prominent on the page.

 

Once your book is published, make sure your website/blog address is clearly visible in the back-matter.  If a reader has finished your book and enjoyed it, they’ll be in the perfect frame of mind to look you up and because they enjoyed the book, they’ll be interested in hearing about the next one you write so they are likely to sign up to your newsletter.

 

Once you have more than a handful of subscribers, start sending out newsletters.  Not too many newsletters though.  People don’t want to be spammed.  Decide on a schedule and stick to it.  Monthly, maybe, or even less if you don’t think you’ll be able to create engaging, interesting copy more regularly.  What you write is important – don’t just flog your book.  You know what you’re interested in and what you’re an expert in, so use those things to give readers something unique in each newsletter.  And keep consistent from newsletter to newsletter.  If the formula works, readers will share your content with their friends and you’ll find your list grows.

 

The most important thing is to be yourself and be authentic.  Readers will see through anything else!  Take your time and do it right and your list will grow.  Just don’t get frustrated and give up if it’s slow going. Consistency is key.

 

Best of luck with your release!

 

X O’Abby

Monday, March 11, 2024

Week 11 – The No.1 Ladies’ Detective Agency by Alexander McCall Smith

Last year on Mondays we had fun with books. This year, we'll look at most of the same books but also some new ones, and see if the first line [or first paragraph] met the goal of a first line which is ==> to hook the reader's attention.

Here are some tips on writing a first line

https://www.masterclass.com/articles/tips-for-writing-the-opening-line-of-your-novel

Week 11 – The No.1 Ladies’ Detective Agency by Alexander McCall Smith

https://www.alexandermccallsmith.com/series/no-1-detective-agency

First published: September 3, 2002 in US [1998 in Scotland]

Here's what the story is about: The No. 1 Ladies’ Detective Agency is a series of mystery novels set in Botswana, by Scottish author Alexander McCall Smith. The main protagonist is Mma Precious Ramotswe. She opens her country’s first female detective agency using an inheritance from her father.

First line/paragraph:
Mma Ramotswe had a detective agency in Africa, at the foot of Kgale Hill. These were its assets: a tiny white van, two desks, two chairs, a telephone, and an old typewriter. Then there was a teapot, in which Mma Ramotswe--the only lady private detective in Botswana--brewed redbush tea. And three mugs--one for herself, one for her secretary, and one for the client. What else does a detective agency really need? Detective agencies rely on human intuition and intelligence, both of which Mma Ramotswe had in abundance. No inventory would ever include those, of course.

This story starts with an introduction in omniscient POV. It introduces the main character and the main setting. The reader also has a good idea of what the story will be about – a detective in Africa. In paragraph 4 the readers learns it is set in Botswana. I have never been in Africa, and I read this book with the idea that I would learn something about Botswana. The book did not disappoint. I learned about the people and the culture, alongside a set of cases which one source describes as “gentle” and I agree. It's not edge-of-your-seat suspense, but it was a delight to read.

Does this first line/paragraph hook your attention? If you had never heard of this story, would you buy this story in 2024? Knowing the story, would you change the first line? Tell us in the comments!




Thursday, March 7, 2024

Dear O'Abby: how do I ask published authors for advice?

 Dear O'Abby,

I was at a book launch over the weekend and the author who spoke was really lovely and friendly during her Q & A, so I thought I'd approach her later and ask some advice about how to get my own books  published since I'm a complete novice when it comes to the publishing industry.

Well, she was not nearly as nice or friendly when I caught her after her signing and asked her if she'd be willing to talk to me about that.  In fact, she made me feel like a total idiot for even asking.  I cringed out of the bookstore and went home to lick my wounds. With a pint of Rocky Road.

Obviously that was not the right way to approach a published author for advice, but what is?  Any guidance you can give me would be gratefully accepted.  I never want to feel that humiliated again.

Best wishes,

Embarassed

Dear Embarassed,

I'm sorry you had that experience.  Most authors are actually very helpful and willing to help newer writers navigate the rocky path to publishing.  But maybe this was not the right place or time to pursue the answers you're looking for.  A book launch is that author's big day, a celebration of all the hard work they have put in to get that book published and out into the world.  

If you're going to speak to an author at an event like this, it's probably best if you have bought their book before you approach them.  Even better if you've read it, or at least read something they have written.  Then you can ease into the conversation by talking about their work before you bring up your own.

Also, make sure the author you're speaking to writes in a similar genre to you.  There is no point asking a non-fiction writer about their publishing experience if you are writing novels.  The two are very different and advice you get from a non-fiction author will not necessarily apply to you as a novelist.

Have a good sense what you want for your book in terms of publishing.  An author who publishes with a small press or academic press will have very different experiences to speak about that an author published by one of the big 5.  And if they are self-publishing, it's a whole other ballgame.  Make sure what you want aligns with the author you want to approach or the advice you get is not likely to be applicable.

Make sure you have specific questions.  Do some research and learn where the gaps in your knowledge are. The broader the questions you ask, the less specific the answers are likely to be, and you may not learn what you want to learn. Go in with three or four targeted questions and you are more likely to get something you can use than if you go in with something like , "so, how do I get my novel published?"

And know when to walk away.  If an author doesn't want to engage, don't push it.  Just thank them and leave them alone. Or ask if there is a better time for them when they might be more able to speak.  Book launches can be overwhelming, especially if the author is uncomfortable speaking to a crowd.  They might be more willing to meet up with you one on one, or answer your questions by email.

Hopefully that helps!

X O'Abby



Monday, March 4, 2024

Week 10 – Wild by Cheryl Strayed

Last year on Mondays we had fun with books. This year, we'll look at most of the same books but also some new ones, and see if the first line [or first paragraph] met the goal of a first line which is ==> to hook the reader's attention.

Here are some tips on writing a first line

https://www.masterclass.com/articles/tips-for-writing-the-opening-line-of-your-novel

Week 10 – Wild by Cheryl Strayed

https://www.cherylstrayed.com/wild_108676.htm

First published: March 20, 2012

Here's what the story is about: A memoir of Cheryl Strayed’s hike on the Pacific Crest Trail from the Mojave Desert in Southern California, through Oregon and to the Washington border.

First line/paragraph:
My solo three-month hike on the Pacific Crest Trail had many beginnings. There was the first, flip decision to do it, followed by the second, more serious decision to actually do it, and then the long third beginning, composed of weeks of shopping and packing and preparing to do it. There was the quitting my job as a waitress and finalizing my divorce and selling almost everything I owned and saying goodbye to my friends and visiting my mother’s grave one last time. There was the driving across the country from Minneapolis to Portland, Oregon, and, a few days later, catching a flight to Los Angeles and a ride to the town of Mojave and another ride to the place where the PCT crossed a highway.

This story starts with an introduction which is basically backstory. The balance of chapter 1 is also backstory about the day she learned her mother was dying of lung cancer. But this author writes with voice. The details she gives, her thoughts at the time, everything on the page compels the reader to turn one more page. This book was riveting [I read the audio book] and I could not stop until it was over.

I also love the cover!

Does this first line/paragraph hook your attention? If you had never heard of this story, would you buy this story in 2024? Knowing the story, would you change the first line? Tell us in the comments!



Monday, February 26, 2024

Week 9 – The Recovery Agent by Janet Evanovich

Last year on Mondays we had fun with books. This year, we'll look at most of the same books but also some new ones, and see if the first line [or first paragraph] met the goal of a first line which is ==> to hook the reader's attention.

Here are some tips on writing a first line

https://www.masterclass.com/articles/tips-for-writing-the-opening-line-of-your-novel

Week 9 – The Recovery Agent by Janet Evanovich

https://evanovich.com/the-recovery-agent/

First published: March 22, 2022

Here's what the story is about: Gabriela Rose is a recovery agent, hired to find lost treasures, stolen heirlooms, or missing assets. She journeys to the jungles of Peru in pursuit of the Ring of Solomon and the lost treasure of Lima. Unfortunately, her ex-husband Rafer has the map, and he’s not about to let Gabriela find the treasure without him.

First line/paragraph:
Gabriela Rose was standing in a small clearing that led to a rope-and-board footbridge. The narrow bridge spanned a gorge that was a hundred feet deep and almost as wide. Rapids roared over enormous boulders at the bottom of the gorge, but Gabriela couldn’t see the river because it was raining buckets and visibility was limited. 

This story starts “in media res” by introducing the main character and setting. Assuming you read the back copy so you had some idea of what the story was about, you now know by this first paragraph that Gabriela Rose is on an adventure and she isn't afraid of much. At first it seems like third person POV, but there are some details about the bottom of the gorge that are described but then it says Gabriela couldn't see the river. I'm not sure the details would be known just by sound, so it might be omniscient POV. But I can definitely picture the setting, and even if the author took some liberties with third person POV, it isn't a distraction, at least not to me.

When I first started as a writer, I was told to never use the “was ___ing” construction without it being a conscious decision. Just use the verb. Here we find it in the first sentence, which my brain auto-corrected to “stood”. But Janet Evanovich can pretty much write anything she wants and people will buy it anyway.

Does this first line/paragraph hook your attention? If you had never heard of this story, would you buy this story in 2024? Knowing the story, would you change the first line? Tell us in the comments!



Thursday, February 22, 2024

From the Archives - Dear O'Abby: Can I writer reviews if I'm an aspiring author?

 Dear O’Abby, 


I’ve been getting conflicting advice about whether or not to review books as an aspiring author. Some people tell me I shouldn’t do it because if I give a bad review to a book represented by a publisher or agent I might wish to query, they may have already put a black mark by my name. Others say I should write reviews because it helps to identify things wrong with stories and writing that I can then apply to my own work. 

Do you have an opinion on this? 

Best, 

Confused 



Dear Confused, 

I’ve heard that story about why writers shouldn’t write reviews too, but I’ve never taken it too seriously. Agents and publishers should be mature enough to understand that not every book is going to appeal to every reader and that well-written reviews can be valuable to the author even if they aren’t 100% positive. 

As a writer, it’s important to read critically and reviewing books is one way to force yourself to do so. If you like a book, reviewing it will help you figure out why you enjoyed it. Was it the story? The characters? The way the words are strung together? 

And if you didn’t like the book, what was it you didn’t like? Did you feel the characters acted inconsistently? Was the writing pedestrian? Did the plot fall flat? 

By identifying what you do and don’t like about the books you read, you will find yourself growing more critical of your own writing and you may save yourself a lot of grief by fixing issues long before you send the manuscript off to agents or publishers. 

If being blacklisted by agents or publishers for writing negative reviews is a real concern, there are a number of ways you can get around it. 

Firstly, only publish reviews of things you like. Write the negative ones because they’re often more helpful to you as a writer than the positive ones, but don’t publish them. I did this for a while, calling the review section on my blog ‘books I’ve loved’ and only reviewing things I really liked. I ended up stopping this though, because there just weren’t enough books I loved to write a positive review every week. 

Another way to get around it is to review under a pseudonym or write under a pen name so your reviews aren’t linked to your author name. 

The key thing to remember when writing reviews is to be constructive. Don’t just pile on with a negative rant. Nothing is 100% bad, so even a negative review can mention a few positives to balance out the negativity. Personally, I like to start with something I liked and finish with another thing I liked with all the critique in the middle. Always read what you have written before you publish and think about how it would make you feel if this review was for your own book. 

I would also suggest you don’t tag the author when you publish the review. Not all writers like to read their reviews and if they accidentally click onto a link in a tweet or something and find themselves confronted with a negative review, it could be very upsetting for them. 

So that’s my opinion on whether writers should write reviews. I know other people have different opinions, but if you want to write reviews and if you find the process helps your own writing, why not? 

If you want more information about this topic, Operation Awesome's J Lenni  Dorner has written a very helpful book, Writing Book Reviews As An Author which gives much more in-depth guidance about how to effectively review books as an author. Some of the advice in there may contradict my own, but it's still a valuable resource, even if you are not a writer and want to write reviews.

Happy reviewing!

X O’Abby

Monday, February 19, 2024

Week 8 – The Martian by Andy Weir

Last year on Mondays we had fun with books. This year, we'll look at most of the same books but also some new ones, and see if the first line [or first paragraph] met the goal of a first line which is ==> to hook the reader's attention.

Here are some tips on writing a first line

https://www.masterclass.com/articles/tips-for-writing-the-opening-line-of-your-novel

Week 8 – The Martian by Andy Weir

https://en.wikipedia.org/wiki/The_Martian_(Weir_novel)

First published: October 28, 2014

Here's what the story is about: Mark Watney is a botanist accompanying the crew of NASA’s Ares 3 to Mars for a one-month scientific mission. On Sol 6 (Martian day 6), a severe wind storm blows Watney out of sight and threatens to blow over the landing craft, which would strand the crew on Mars. The remaining crew leave Watney behind, believing him dead, before they can be stranded. But Watney survived and must learn how to stay alive while NASA figures out how to get him back to Earth. 

First line/paragraph:
I'm pretty much fucked.
That's my considered opinion.
Fucked.
Six days into what should be the greatest month of my life, and it's turned into a nightmare.

This story starts in first person POV and we already know a lot about this character. He has colorful language [2 f-bombs in the first 10 words!], but he's also educated [the phrase “considered opinion”], which makes him interesting. This was supposed to be the pinnacle of his life, but now he's in big trouble. The next few lines/paragraphs give an introduction of who he is, where he is, and why he's there. The story definitely starts “in media res”, then slips a little into backstory including the inciting incident which has already happened by the time the story starts. I definitely think this works at a first line/paragraph. I'm willing to follow this person for almost 400 pages and find out if/how he gets out of his predicament. Of course, so were millions of other readers since this book was also made into a movie.

Does this first line/paragraph hook your attention? If you had never heard of this story, would you buy this story in 2024? Knowing the story, would you change the first line? Tell us in the comments!


Thursday, February 15, 2024

Dear O'Abby: Why is book marketing so hard?

 Dear O'Abby,

I'm an author with a few books out, but none of them seem to sell much.  I've experimented with various ways of marketing my books, but none of them have been very successful and I've ended up spending more on marketing than I've got back in sales.  Which is not sustainable.

Why is this so hard?

Kind regards,

Sales-less

Dear Sales-less,

Book marketing is hard.  People don't want or expect to pay a whole lot for a book (especially an ebook), so the cost of marketing a book often can't be built into the price.  Usually you'd expect around 10% of the cost of a product to be put aside for marketing; with a .99c ebook, that 10% isn't worth much.

We're also working in a very crowded market.  Millions of new books are published every year, and these new books have to compete with all the billions of books that already exist in the world too.  It takes a lot to be heard in all that noise.

Then there's the fact that most people only read 4-10 books a year.  If you read 100+ books a year, you're more likely to be willing to take risk on something new and different and unknown.  If you only read five, you're likely to be more selective and to ensure the book you invest time and money into is something you'll enjoy.  These readers tend to return to authors they know and love, read series, and make decisions on what to read based on reviews, public opinion and from having seen the book advertised to them several times across different platforms.

All of this makes selling a book as a new author very difficult. In my opinion, the most important thing to do is to generate positive reviews. Without a significant number of four and five star reviews on Amazon, your book is basically invisible to the majority of readers.  And yes, I agree that sucks, but unfortunately, that's the reality we live in.  Any marketing you do needs to drive people who read your book to leave reviews so your book becomes more visible.

You also need to build fans, the people who will eagerly anticipate your next book, and purchase it without much thought just because they have enjoyed your previous books.  It's very hard to earn much with a single book in your catalogue.  There's a reason so many authors write series...

So, yeah...  That's why book marketing is so hard.

X O'Abby

Monday, February 12, 2024

Week 7 – The Three Musketeers by Alexandre Dumas

Last year on Mondays we had fun with books. This year, we'll look at most of the same books but also some new ones, and see if the first line [or first paragraph] met the goal of a first line which is ==> to hook the reader's attention.

Here are some tips on writing a first line

https://www.masterclass.com/articles/tips-for-writing-the-opening-line-of-your-novel

Week 7 – The Three Musketeers by Alexandre Dumas

https://www.gutenberg.org/files/1257/1257-h/1257-h.htm

First published: March through July 1844 as a serial novel in a Parisian newspaper

Here's what the story is about: A historical novel set in France in 1625-1628. It recounts the adventures of d'Artagnan (a character based on Charles de Batz-Castelmore d'Artagnan) when he travels to Paris, hoping to join the Musketeers. He is befriended by Athos, Porthos, and Aramis [the three musketeers] and joins them in various adventures.

First line/paragraph:
On the first Monday of the month of April, 1625, the market town of Meung, in which the author of Romance of the Rose was born, appeared to be in as perfect a state of revolution as if the Huguenots had just made a second La Rochelle of it. Many citizens, seeing the women flying toward the High Street, leaving their children crying at the open doors, hastened to don the cuirass, and supporting their somewhat uncertain courage with a musket or a partisan, directed their steps toward the hostelry of the Jolly Miller, before which was gathered, increasing every minute, a compact group, vociferous and full of curiosity.

This story starts with introduction of the setting [time and place], and describes the place as “in a perfect state of revolution”, which also begins the plot. There are several historical details which presumably would have been known by the readers. We also have the POV [omniscient]. Based on this information, we can form a preliminary guess of what will happen in the story, but we don't know any of the characters or what they may be like. The story starts more “in media res” than many stories of the time.

The second paragraph gives more historical information about the referenced revolution. It's not until the third paragraph that we are introduced to the main character, D’Artagnan, who is compared to Don Quixote.

Does this first line/paragraph hook your attention? If you had never heard of this story, would you buy this story in 2024? Knowing the story, would you change the first line? Tell us in the comments!


Thursday, February 8, 2024

Dear O'Abby: How long should I wait?

 Dear O'Abby,

I'm querying at the moment and I'm wondering how long I should wait before trying to rewrite my query.  I have done a ton of work on it with a professional editor, with other writers and submitted it for substantial feedback from agents in contests etc prior to starting querying.  I feel like it's really good now and truly captures the essence of my book.

But I have had six rejections already, from the first 12 queries I sent out, so now I'm wondering if the query really is as good as I think it is.  How many rejections should I get before I need to start thinking about re-writing my query?

Regards,

Rejected

Dear Rejected,

It sounds like you are very early on in the querying journey, so don't get discouraged.  I know it's hard to put your hard work out there and to get faced with nothing but rejection, but unfortunately, it's part of the business.  With only 12 queries out, I don't think you need to worry about changing the query yet. Especially since not all of these first batch have responded yet. 

It sounds like you've done a lot of work on the query, so maybe it's not the query that's not working.  Writers often get so wrapped up in creating the perfect query that they forget they need a near-perfect book to go with it.  Make sure your sample pages are as shiny as the query - and not just the first 5-10 pages.  Some agents ask for more than that and if your writing peters out after the first 10 pages, that could be the problem.

But basically, publishing is a tough industry and even if you have the most perfect query and a fantastic book, you will get rejections.  Agents and publishers often have something very specific they are looking for and if your book doesn't fall into that niche, they're going to pass. Taking on new authors is a lot of work, and unless they're confident your book is going to sell, they're going to pass.

So don't take it to heart.  Keep sending out those queries.

X O'Abby

 

Tuesday, February 6, 2024

Suzanna's Writing and Reading Goals for 2024: January Update

 

It's time to reflect on the first month of 2024! How did I do?

Here are my writing goals for 2024:

  1. Write 50,000 words in 30 days as part of a NaNo project (Camp in April, Camp in July, or NaNo in November).
  2. Write at least one children's book.
  3. Write at least one new short story.
  4. Edit at least one short story from my undergrad days.
  5. Write at least twelve poems.
  6. Put together a poetry collection.
  7. Work on the draft of the graphic novel.
  8. Take a course on publishing.
    1. The 6 week course starts in February, and it will be exciting to think about writing and publishing in a new way. I am looking forward to learning so much.


Of course as a writer, I also need to read. I read 25 books in January. Only 125 to hit my goal, which is about 2.5 books a week.
  1. Read 12 literary magazines. (0/12)
    1. (selected one but haven't finished)
  2. Read 12 novels. (15/12)
    1. Inner Demons by Sarra Cannon
    2. Popcorn and Poltergeists by Nancy Warren
    3. Bitter Demons by Sarra Cannon
    4. Shadow Demons by Sarra Cannon
    5. Red Rising by Pierce Brown
    6. Golden Son by Pierce Brown
    7. Garters and Gargoyles by Nancy Warren
    8. Morning Star by Pierce Brown
    9. Diamonds and Daggers by Nancy Warren
    10. Ribbing and Runes by Nancy Warren
    11. Herringbones and Hexes by Nancy Warren
    12. Mosaics and Magic by Nancy Warren
    13. Tangles and Treason by Nancy Warren
    14. Iron Gold by Pierce Brown
    15. Cat's Paws and Curses by Nancy Warren
  3. Read 12 short story collections. (0/12)
    1. (selected one but haven't finished)
  4. Read 12 poetry collections. (0/12)
    1. (selected one but haven't finished)
  5. Read 12 graphic novels. (2/12)
    1. Heartstopper: Volume Two by Alice Oseman
    2. Heartstopper: Volume Three by Alice Oseman
  6. Read 12 children's books. (1/12)
    1. The Book of Mistakes by Corinna Luyken
  7. Read lots of books (nonfiction, fiber, etc). (7/12)
    1. Weaving Big on a Little Loom by Fiona Daly
    2. A Handbook of Weaves by Gustaf Hermann Oelsner
    3. Pattern Weaving by Rabbit Goody
    4. Polysecure by Jessica Fern
    5. The Art of War by Sun Tzu
    6. The Gift by Edith Eger
    7. The Polysecure Workbook by Jessica Fern
  8. Participate in every Kindle Reading Challenge this year and get at least 90% of the badges.
    1. I am on target with 8 achievements so far.  
What are some of your writing and reading goals for 2024? How did January go for you?

Monday, February 5, 2024

Week 6 – And Then There Were None by Agatha Christie

Last year on Mondays we had fun with books. This year, we'll look at most of the same books but also some new ones, and see if the first line [or first paragraph] met the goal of a first line which is ==> to hook the reader's attention.

Here are some tips on writing a first line

https://www.masterclass.com/articles/tips-for-writing-the-opening-line-of-your-novel

Week 6 – And Then There Were None by Agatha Christie

https://www.agathachristie.com/stories/and-then-there-were-none

First published: November 6, 1939

Here's what the story is about: Eight people are invited to a small, isolated island off the coast of England. A framed copy of the rhyme Ten Little Indians hangs in every guest's room, and ten figurines sit on the dining table. After dinner, a recording accuses each visitor, along with the butler and the housekeeper, of having committed murder. Then, following the lines of the rhyme, the guests are killed one by one until none remain.

First line/paragraph: In the corner of a first-class smoking carriage, Mr. Justice Wargrave, lately retired from the bench, puffed at a cigar and ran an interested eye through the political news in the Times.

This story starts with introduction of one character, a retired judge. He's on a train smoking and reading the political section of the newspaper. We also have the POV [third person or omniscient]. Based on this information, we can form a preliminary opinion of who this character is, and we probably wonder where he's traveling to. The story starts “in media res”, unlike many stories of the time.

Does this first line/paragraph hook your attention? If you had never heard of this story, would you buy this story in 2024? Knowing the story, would you change the first line? Tell us in the comments!


Thursday, February 1, 2024

Dear O'Abby: Am I being ghosted?

 Dear O'Abby,

My agent has had my book out on submission and it's been a while now.  We got a couple of pretty swift rejections, which kind of sucked, but at least I knew where I stood with those editors.  A couple of others have told my agent that they're behind on their reading and they will be getting to it soon.  So at least I know that I haven't been forgotten.

The last couple of editors have been eerily silent.  My agent has followed up with them a couple of times, but has received no response.  Do editors sometimes just not respond?  Ever?  Am I freaking out for no good reason here?

Sincerely,

Ghosted

Dear Ghosted,

Unfortunately, this does occasionally happen.  It may not be malicious or intentional, but sometimes editors get so behind on their reading, it becomes embarrassing for them to admit.  Or some major life event may have derailed things and they're struggling to get back on track.

Whatever the reason, if this lack of response becomes a regular thing, agents will notice and stop sending stuff to that editor.  This is the kind of inside knowledge an agent has that you don't have if you're subbing to publishers on your own.  Obviously, if your agent subbed to these editors, she thinks your book is a good fit with them and she has a good relationship with them.  Have you raised your concerns about the length of time it is taking with her?

Maybe she knows these editors are often slow to respond, but she's willing to wait because she believes they are the best fit for your book.  Or maybe they have always been responsive in the past, and this behaviour is out of character.  Whatever the situation, be certain your agent is taking note and, while I know it doesn't help you, if they are serial non-responders, agents will stop subbing to them.

I hope this helps.

X O'Abby

Monday, January 29, 2024

Week 5 – A Christmas Carol by Charles Dickens

Last year on Mondays we had fun with books. This year, we'll look at most of the same books but also some new ones, and see if the first line [or first paragraph] met the goal of a first line which is ==> to hook the reader's attention.

Here are some tips on writing a first line

https://www.masterclass.com/articles/tips-for-writing-the-opening-line-of-your-novel

Week 5 – A Christmas Carol by Charles Dickens

You can read it here

https://www.gutenberg.org/files/46/46-h/46-h.htm

https://www.read.gov/books/christmas-carol.html

First published: December 19, 1843

Here's what the story is about: Ebenezer Scrooge, an elderly and selfish miser, is visited by the ghost of his former business partner Jacob Marley, and the spirits of Christmas Past, Present, and Yet to Come. After their visits, Scrooge is transformed into a kinder, gentler man.

First line/paragraph:
Marley was dead: to begin with. There is no doubt whatever about that. The register of his burial was signed by the clergyman, the clerk, the undertaker, and the chief mourner. Scrooge signed it: and Scrooge’s name was good upon ’Change, for anything he chose to put his hand to. Old Marley was as dead as a door-nail.

This story starts with introduction of two characters, Marley and Scrooge. Marley is dead, so we expect not to see him in the story [Hah!]. Scrooge would then appear to be the main character. We also have the POV [third person or omniscient]. The fact that Marley is dead appears to be very important to the story. It is mentioned multiple times, with multiple witnesses attesting to his demise, along with terms like “no doubt whatever” and “dead as a door-nail”. At this point however, that's all we know about the plot.

Does this first line/paragraph hook your attention? If you had never heard of this story, would you buy this story in 2024? Knowing the story, would you change the first line? Tell us in the comments!

Thursday, January 25, 2024

Dear O'Abby: Should I include my prologue?

 Dear O'Abby,

I'm querying a fantasy novel that begins with a prologue which sets up the world and its mythology for readers before the main characters are introduced.  I'm getting conflicting feedback from other writer friends about whether to include this in the first 5/10/20/50 pages agents request with a query.  Some people tell me I should send the pages where the story starts, while others say I should send the first pages of the actual book - which are the prologue.

Do you have any insight into this?  I feel like the story won't make a lot of sense without the prologue, but at the same time, I have focused my query on the characters and their journeys and none of these characters appear in the prologue.

Any insight would be greatly appreciated!

Kind regards,

Unsure

Dear Unsure,

This is one of those questions that comes up all the time. 

In my opinion if an agent or editor asks for the first 5/10/20 etc pages, that's what you send them.  If they are intrigued and you've sent only the pages post-prologue, they will be confused when they receive your full manuscript and it's different to the pages you sent previously.

That said, make sure your prologue is really necessary.  Too many books start with a prologue that really has nothing to do with the story being told, or introduce characters that never appear again in the book.  Often a prologue provides an action-packed beginning to the story to grab attention, or is used as a way to info-dump a bunch of stuff the writer wants the reader to know before they start reading the story itself.

If your prologue is genuinely necessary, then send those pages.  If  it's only there to grab attention or give background that could just as easily be seeded through the main part of the story, then I'd rethink whether you really need that prologue.

Hope that helps!

X O'Abby

Monday, January 22, 2024

Week 4 – The Raven by Edgar Allan Poe

Welcome to 2024!  Last year on Mondays we had fun with books. This year, we'll look at most of the same books but also some new ones, and see if the first line [or first paragraph] met the goal of a first line which is ==> to hook the reader's attention.

Here are some tips on writing a first line

https://www.masterclass.com/articles/tips-for-writing-the-opening-line-of-your-novel

Week 4 – The Raven by Edgar Allan Poe

You can read it here

https://poestories.com/read/raven

https://www.poetryfoundation.org/poems/48860/the-raven

First published: January 1845

Here's what the story is about: This poem, for which Poe received a payment of $9, was published by the New York Evening Mirror and then by The American Review. While the poem’s narrator is mourning the death of his beloved Lenore, a raven enters the room and perches on a bust of Pallas. The narrator asks the raven questions, but its only response is “nevermore”.

First line/paragraph:
Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore—
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
“’Tis some visitor,” I muttered, “tapping at my chamber door—
Only this and nothing more.”

This poem starts with the time [midnight], some of the setting [bedroom], a bit of character [pondering, nodding/sleepy], and the beginning of plot [tapping on the door]. We also have the POV [first person], and a bit of the narrative voice and flavor of the story [somber, dreary].

The words and tempo of the poem adds to the dreary atmosphere, and we have the beginning of the character and plot in the first line. The end [which obviously we don't know yet] circles back to this beginning of “nothing more” and “nevermore”.

Does this first line/paragraph hook your attention? If you had never heard of this story, would you buy this story in 2024? Knowing the story, would you change the first line? Tell us in the comments!


Thursday, January 18, 2024

Dear O'Abby: What does publishing look like in 2024?

 Dear O'Abby,

I'm a published author whose been out of the publishing arena for a few years (I had kids, had to get a day job, got out of the habit of writing....) and am hoping to dive back in this year with a new novel I've been working on for a few years. 

I know the world changed a lot through COVID and I'm just wondering what publishing actually looks like in 2024. Do you have any insight into trends or anything that might be useful to know as an author heading back into publishing after a period of time away?

Kind regards, 

Old Hat

Dear Old Hat,

I'm not sure how long you've been away or what kind of book you've written, or even if you're looking at traditional or self-publishing, so my answers may not be what you're looking for.  Feel free to check back in with me if you need to know anything specific!

Political books are popular.  Some of the biggest sellers in the past few years were books by political figures (Barak Obama, Bill Clinton) or about them (Donald Trump, Joe Biden).

In kidlit (children's and YA books) diversity is a must. Since publishing realised there was a distinct lack of diversity in books for young people, publishers have actively been seeking out books featuring people of colour, those living with disabilities, those from the LGBTQIA+ community and others who have historically been underrepresented in fiction. 

Self-publishing is booming. With the popularity of e-books skyrocketing during the COVID years, the number of authors choosing to take control of their own work and career is growing. And with readers increasingly using social media platforms to access information about what's good, authors are becoming more digital savvy in the ways they market to them.  There's a reason people are talking about "Book Tok" and "Bookstagrammers".  If you're going to sell books in 2024, you'd better be good at social media if you want to stand out!

While the publishing giants keep trying to consolidate and become one giant publishing machine, some small presses are seeing significant growth.  Some of these presses are very niche, but they are also more likely to take risks on unknown authors or books that don't fit neatly into a specific genre.

Audiobooks continue to grow in popularity.  And as self publishing tools make creating audiobooks simpler, we are likely to see even more growth in this area.  

I don't think we can talk about publishing in 2024 without mentioning AI.  As far as I can tell, AI hasn't managed to write a good novel yet, but as its use becomes more and more normalised across other types of writing (marketing, PR, articles etc) and the machine consumes vast quantities of other peoples' writing to "learn" how to write, I  suspect it is only a matter of time.  Personally, I don't think this is a good thing as writing is an art and good art is created in response to human experiences and emotions. But I don't think the people who stand to profit from more use of AI give much creedence to what I think.  There are already AI-written novels out there, I'm sure, even if they are not brandishing that fact on the cover (which is probably also AI generated).

And that's just a few of the things I'm seeing in publishing.  Just let me know if there is anything else you would like to know.

X O'Abby



Tuesday, January 16, 2024

Suzanna's Writing and Reading Goals for 2024

 

Wow, I can't believe that January is halfway over already! I decided to do something a little different this year. In December 2023, I took the Heart Breathings HB90 Bootcamp by Sarra Cannon to break the year into quarters by making goals and planning projects each quarter. I've been trying for years (and years) to develop tools from others and discover my preferences with planners, tracking progress, making goals, and completing goals.

And with all those years of experimenting, I have had little success with follow through. I make all of these wonderful goals at the beginning of the year. I start off great, but then the Suzanna Train loses steam and screeches off the track. Sure, I've reached some of my goals, but I have been anything but consistent, except during NaNo. Somehow, I can do NaNo. I even made it to 100 K with my double NaNo goal in 2023. YAY!

While I am still experimenting with my planner system, I'm thrilled that I took the HB90 Bootcamp course. I can already feel a difference with the progress I've made so far on my goals. 


  • I'm not beating myself up when I fail to meet my daily or weekly to do list.
  • Each day is a fresh start. Today is a good day to have a good day.
  • It is really hard to make habits, but progress is progress.
  • Life will throw curveballs no matter how much I plan. Gotta get up.


So, I want to continue writing, reading, and making progress on my personal goals. Here goes the start of a new quarter.

Here are my writing goals for 2024:

  1. Write 50,000 words in 30 days as part of a NaNo project (Camp in April, Camp in July, or NaNo in November).
  2. Write at least one children's book.
  3. Write at least one new short story.
  4. Edit at least one short story from my undergrad days.
  5. Write at least twelve poems.
  6. Put together a poetry collection.
  7. Work on the draft of the graphic novel.
  8. Take a course on publishing.


Of course as a writer, I also need to read. Can I make it to 250 this year? I made it to 247 last year.
  1. Read 12 literary magazines.
  2. Read 12 novels.
  3. Read 12 short story collections.
  4. Read 12 poetry collections.
  5. Read 12 graphic novels.
  6. Read 12 children's books.
  7. Participate in every Kindle Reading Challenge this year and get at least 90% of the badges. 
What are some of your writing and reading goals for 2024?

Monday, January 15, 2024

Week 3 – The Lottery by Shirley Jackson

Welcome to 2024!  Last year on Mondays we had fun with books. This year, we'll look at most of the same books but also some new ones, and see if the first line [or first paragraph] met the goal of a first line which is ==> to hook the reader's attention.

Here are some tips on writing a first line

https://www.masterclass.com/articles/tips-for-writing-the-opening-line-of-your-novel 

Week 3 – The Lottery by Shirley Jackson

This short story was published by The New Yorker magazine on June 26, 1948.  You can read it here

https://www.newyorker.com/magazine/1948/06/26/the-lottery

First published: June 26, 1948

Here's what the story is about: A small American community observes a long-standing annual tradition known as "the lottery", conducted to ensure a good harvest and purge the town of bad omens. No spoilers! Members of the community pull papers out of a hat, but the winner doesn't exactly “win”....

First line/paragraph: “The morning of June 27th was clear and sunny, with the fresh warmth of a full-summer day; the flowers were blossoming profusely and the grass was richly green. The people of the village began to gather in the square, between the post office and the bank, around ten o’clock; in some towns there were so many people that the lottery took two days and had to be started on June 26th, but in this village, where there were only about three hundred people, the whole lottery took only about two hours, so it could begin at ten o’clock in the morning and still be through in time to allow the villagers to get home for noon dinner.”

This story starts with the season and weather, which is one of the cliché openings we are advised not to use. But line 2 begins the plot, giving us setting and an introduction to the villagers and what is happening. We haven't met any of the characters yet, but we know they live in a small village with a communal “square”, and they are currently gathering there for what appears to be an annual summer tradition called the lottery. We also have an idea of the POV [third person or omniscient], and a bit of the narrative voice and flavor of the story.

Despite this first line being a bit cliché, I think it works well here especially because the second line gets right into the story.

Does this first line/paragraph hook your attention? If you had never heard of this story, would you buy this book in 2024? Knowing the story, would you change the first line? Tell us in the comments!