Thursday, October 15, 2020

Sneaky #NaNoWriMo #WriteTip #NaNoTip

I've participated in NaNoWriMo on and off for the past five years or so, although I only won in 2018 and 2019. To be honest, I'm still not sure if I'm going to participate this year - I sure don't have a lot of time left to decide! Whether I choose to do it or not, I have a few tips to offer from my personal experience that have made NaNoWriMo easier the past few years. They're sort of sneaky tips, things that might be a little writer-unethical, but they'll get you there in the end.


1) Give yourself permission to write badly. Like, really badly.

It's something that's so hard for us as writers, but it's kind of the whole point of NaNoWriMo. Our only goal is to get the words written, no matter what they are. Let yourself write your worst manuscript without stopping to edit along the way. If you really need to change something, make a note to go back and do so after NaNoWriMo is over. Remember, words written are words written - the last thing you want is to make an edit and find out you have fewer words now. We're going for quantity over quality here. 

Take an example from my 2019 NaNoWriMo manuscript. As I was getting to the end of my MS, I was seriously running out of steam. I used the phrase "Then something bad happened" twice on the same page just as a way to transition to the next plot event. And you know what? 

Who cares?

Who cares if your first draft is messy? Who cares if you talk around that word you just can't remember in the moment? Who cares if you use the word "just" five hundred times? All you have to do is get to the end of your manuscript, regardless of how you get there. 


2) Use juicy scenes as a reward.

I usually write from an outline, so I usually write my manuscripts sequentially. Sometimes, though, I get bored of a particular section, or I lose my momentum thinking of how much I have left to write. So, I tell myself that if I hit my word count goal for the day, I can skip ahead and write a scene I'm really looking forward to. It's an excellent motivator, because it gets me three wins: I get my daily words in, I get a little extra done with the bonus scene, and I end my writing time on a high. 


Good luck to everyone who's participating this year! We hope you've picked up a new tip or trick to make your 2020 NaNoWriMo experience a little better.

Wednesday, October 14, 2020

O'Abby's #NaNoWriMo #NaNoTips

So it's O'Abby's turn to offer up some tips to help you through NaNoWriMo...

I think I've done NaNo at least 10 times, once I include the Camp NaNos I have participated in as well as the regular, November extravaganza.  I haven't always 'won', but to be honest, that shouldn't really be the point.  Writing isn't a competitive sport and in my humble opinion, any words you get onto the page are a win.

So my first tip is not to get too hung up on hitting 50,000 words.  Life happens and sometimes it isn't helpful to writing anything.  Go in with the mindset that regardless of whether you hit the 50,000 word mark, you're making progress on a story you want to tell.

My second tip is a more practical one.

Try and get ahead on your word count at the beginning.  You're likely to be more inspired, less tired and more excited to write early in the month, so use that to get as many words written as possible.  I always try to get to 10K in the first three days or so because then I have a bit of a bumper if something goes pear shaped somewhere later in the month and I miss a few days' writing.

We're lucky this year in that 1 November is a Sunday.  See if you can block out a few hours that day to get started.  Maybe a couple of hours in the morning and a couple more in the afternoon if possible.  Turn off your phone and your internet and just write for those hours.  You'll be surprised how much you can get through.

My third and final tip is another practical one.

Don't stop to research.  If you hit a point in your story where you need information you don't have in your head, don't stop to look it up.  Leave yourself a note in the MS in a different colored font maybe, or highlight it, and move on.  While you're writing and writing fast, stopping to look up the Korean word for grandmother or how long an average runner takes to run 400m takes you out of the story and ruins your flow. It's not crucial to the writing process that you have this information right there and then.  Make a note and move on.

Most of all, have fun with it.  Nothing you write during NaNo is going to be perfect and it's not supposed to be.  Think about your NaNo draft as being your zero draft, or vomit draft.  You're throwing words at the page, trying to get your story and your characters onto the page.  There will be time later to pretty it up.  That's what December and January are for.

Good luck and enjoy yourself.

Tuesday, October 13, 2020

Make Writing the Reward #NaNoWriMo Prep #Nanotip #Writetip

Make writing the reward.


Go ahead, play a video game for a little bit. "I'll just play for 20 minutes or until I unlock this achievement." 

Scroll on social media.

Whatever activity you do that keeps you from writing.


BUT FIRST


Write this down:


"I will (whatever activity) until (whatever time or goal). Then my REWARD will be GETTING to write (for whatever amount of time or word count)!"

Then read it to yourself. For that second sentence, use all your enthusiasm. 

I will (whatever activity) until (whatever time or goal). Then my REWARD will be GETTING to write (for whatever amount of time or word count)! @JLenniDorner #nanowrimo #writetip #nanotip


It will feel silly at first.

Keep doing it. Every time. Every day. 

The goal is to trick your mind into believing that writing is your reward.

All too often we reward ourselves for stopping writing. "I hit my 1,667-word count goal for the day, so now I'm going to do something fun."

It wires our brain to treat writing, our creative gift, as work. As something we HAVE to do. Which kills the desire and passion.

So make writing the reward. Decide that it is. Say that it is. Phrase it that way. 

When you actively think about writing as a reward, it will become one. You can get yourself excited about it again.

Don't say you HAVE to write 1,667-words a day. Say you GET to write them. 

Not even that you want to, hope to, or plan to. Phrase it as a reward. "When I get this other stuff done, I'll let myself write those words."

Remember to use enthusiasm. Sound upbeat. Even if you're just saying it in your head. Strike that- ESPECIALLY when you're saying it in your head.

And after you've written your words, cheer for yourself. "I got my reward! Yay! I'm excited to get more of this reward."

If you have a bad writing session, you can say, "I wish I was able to enjoy this reward more. I hope I can sleep on it and get another chance tomorrow."

Keep that mindset. 

Sometimes we do get rewards in life that don't live up to our hopes. But it's still something we didn't have before. Every word you get on the page is one more that wasn't there before. It's one more that can be edited, be improved, and counts toward your lifetime of words. It's better than none. It's great practice, at the very least.

This costs nothing to try. You don't need to buy any special software. Give it a shot. And please share your success stories in the comments!

Suzanna's Intro to #NaNoWriMo #Nanotip #Writetip

 

Ah, NaNoWriMo (National Novel Writing Month) is coming! I cannot believe that this will be year twelve for me. Twelve! I have so many tips that I do not know where to start. But I will start with an introduction here and a couple of tips because I will be posting about NaNo every Tuesday in November with more in-depth information.

Take a deep breath.

Seriously.

I highly recommend doing all the household chores (laundry, vacuum, whatever you need to do) and maybe plan a basic food menu to survive November. I love procrastinating with cleaning and cooking, but if you can have a clean home and the first week of meals planned for November, you can take advantage of the first week excitement and get ahead in your word count.

I tend to get the second week blues very badly every year. I start to lose momentum, something goes off plan in the writing or life, and I must dig myself out of the muck. So, I take advantage of the first week excitement and double down on word count with Reverse NaNo. Instead of 1,667 words on the first day, I aim for 3,346. Check out the word count goals here.

Every NaNo I try to innovate my approach to finding a smoother way to get through NaNo. Each novel has a notebook (no more loose-leaf paper). I clean and meal plan before November. I begin to go on a social media and gaming diet to prepare myself to make more time for writing daily. I begin to look at the region schedules to find write ins to attend, which are all virtual this year. Find a buddy to create and exchange a gift box with small gifts at word count milestones. Make it fun with candy and journals and unique gifts. It is nice to open a present someone picked for you in addition to the reward of reaching a word count milestone.

Have fun with NaNo, and it may be one of the best months of the year.

 

Monday, October 12, 2020

A week of #NaNoWriMo #NaNoTips

November 1, 2020 is coming fast!  It's a Sunday, and counting today it's 21 days away.

https://commons.wikimedia.org/wiki/File:Face-surprise.svg
Why do we care?  Because November is National Novel Writing Month, or NaNoWriMo!

What's NaNoWriMo, you say?  It's the month when writers [if you're reading this blog, this means YOU] are encouraged to sit their collective butts into a chair and write 50,000 words [average 1667 words per day, or about 7 pages] of that book they've always wanted to write.

[As an aside, whoever thought NOVEMBER would be a good month for this is a few elves short of Santa's workshop.  Just saying....]

Every day this week here at Operation Awesome, we're providing a #nano tip.  And since Monday is my day, I get to go first.  The humorous part of me going first is that I've done NaNo a grand total of ONE time, about 5 years ago.  On November 30 of that year, I'd finished 35,000 words, which means I didn't “win”. Translation – I'm obviously NOT a NaNoWriMo expert.  Other members of Operation Awesome have participated in NaNo more often than I have, and have even “won” and finished their 50,000 words.  So – their tips will probably be more useful than mine.

On the other hand, since I write MG it does mean that I finished the ENTIRE first draft of my current WiP in 30 days.  And this WiP is now on its #%&$ revision [document title FinalFinalFinalOMGThisHadBetterBeTheLastFinalOMGOMG], and I should be ready to query it in January-February 2021.  Yay me!

So if you want to get started on a new project, you should definitely consider participating.  Here's the website:

https://nanowrimo.org/

Sign up, check out all the fantastic resources and swag, and get motivated!

And since I'm not an expert, here are tips from folks who are better qualified than I am.

Writer's Digest tips

Reedsy tips

Bustle tips

If you have your own tips, we want to read them! Please let us know in the comments.


Monday, October 5, 2020

October 2020 Pass or Pages Entry Form!


 

We are now accepting entries for Pass Or Pages! Before you enter, be sure to check out the rules. This month's round of Pass Or Pages is for Young Adult of any Genre. Any entry not falling under that umbrella will be disqualified. 

The entry window closes on Friday, October 9 at 6 p.m. Eastern.

The form will not allow you to show italics or other formatting, but if your entry is chosen you'll have time to let us know of any formatting you need fixed.

Remember, with great power comes great responsibility! Best of luck!


 



Thursday, October 1, 2020

No Dear O'Abby this week... Just a bit more about critiques.

 No one had any questions for O’Abby this week, so I thought I’d expand a little on last week’s question about critiquing and use this space to talk more generally about the subject, and some of the things I’ve been seeing and noticing in the work I’ve been critiquing recently.

I do a lot of critique work for a lot of different writers and across material of all genres and for all age groups.  While I’m primarily a writer of YA contemporary, I don’t limit myself to only critiquing stories in the genre I write.  I find a learn as much, if not more, from critiquing books outside my own genre, and the writers of these books often find my critiques helpful because I’m coming to their stories without knowing all their genre’s tropes and conventions.

Writers will sometimes specify the things they are looking for in a critique when they pass a book over to me,  especially at a later stage in the editing process, where there may have been previous critique partners or readers across the manuscript.  In this scenario I will be reading with these specific things in mind – maybe the writer is concerned about a certain character and if their motivation for doing certain things they do is clear – but will still look and comment on other things that stand out to me.

If the writer doesn’t have any specific questions or concerns, I dive into the manuscript and just start reading, stopping to leave comments as I read.  These can be about anything I don’t understand, any inconsistencies I find, word choices I find jarring, places where the story’s logic is flawed and many other things.  I will also comment if something is particularly well done – a description for instance, or a scene that makes me feel exactly what the author wants the reader to feel.  It’s important to make sure you don’t focus only on the things you feel are wrong with the book; mention the things that are right too.

Once I’ve finished reading the whole story, leaving these little comments as I see things that require them, I will write a summary of my thoughts about the story as a whole, touching on the things I liked about it as well as the things that didn’t work for me and why.  If I have any suggestions about how to fix these things, I will offer these in a fairly general way. 

Now, let’s take a quick look at some of the common things I have been seeing in recent critiques…

 Not being deep enough in the character’s POV, especially in first person narratives. Remember that in first person we’re in their head and can be privy to their thoughts.  This means even if they’re saying one thing out loud, they can be thinking and feeling something entirely different.

Too much backstory early in the book – let us get to know the characters in their current situation before going too far into their pasts.  Small details often tell us much more than paragraphs of info-dump or flashbacks that take us out of the here and now.

 Stories that start too early.  I’ve read a couple recently where the story actually started around chapter three or four.  It’s an easy thing to do; when I do NaNo, I invariably write around 10K before I realize I’ve hit the beginning of the book…

Stories that start in the middle of epic action like a battle.  Back up a little.  Let us get to know who the characters are and why we should care about them before throwing them into something as complex and confusing as a battle or car wreck.

Secondary characters that don’t seem to have any real purpose.  Every character needs to have a reason to be there.  If a character doesn’t have any real reason for being, cut them or merge them with another character whose purpose is more recognisable. 

And I think that’s about all we have time for this week.

I hope you found this helpful and that you will feel better prepared to offer meaningful and valuable critiques.

X O'Abby

Tuesday, September 29, 2020

Operation Awesome #20Questions in #2020 of #NewBook Debut Author Kelsey Freeman

Operation Awesome #20Questions in #2020 of #NewBook Debut Author posted by @JLenniDorner of @OpAwesome6


No Option But North: The Migrant World and the Perilous Path Across the Border by Kelsey Freeman


1- What one question would you ask Trump and Biden at a 2020 presidential debate?

With Trump and Biden having drastically different positions on immigration, one question for both is difficult. Nevertheless, I would ask the candidates to make it personal: What they would do (in this current climate) if they were in the position of needing to migrate to the U.S.?

2- Would you please, in 160 characters or less, give a #WriteTip ?

When I get stuck, it always helps to move! The perfect word or connection in ideas reveals itself when I’m running and can get lost in the rhythm of my feet hitting the ground.

3- What is the best piece of writing advice you've received?

In your first draft, write for yourself. In your second or third draft, you can start to consider the audience.

4- Would you please tell us more about your involvement as an advocate for Native education?

When I’m not writing, I run a college-readiness program for Native American high school students through Central Oregon Community College. My goal is to help my Native students come into college with the confidence that they belong, that they should be proud of who they are, and that should advocate for themselves and use their resources. We also do a lot of work around scholarships and the nuts and bolts of college. Additionally, I facilitate equity trainings at the college so the institution better serves its Native students.

5- Would you share a picture with us of your book with an intriguing background?

Operation Awesome #20Questions in #2020 of #NewBook Debut Author Kelsey Freeman #immigration


6- What do you say to angry people who imply that supporting immigration means job shortages, government resources depleted, increased crime or terrorism, and other such remarks?

These arguments come from false fears, so when I hear them, I like to focus on facts. For instance, I point out that undocumented immigrants pay 8% of all state and local tax revenue, while the richest 1% of Americans pays just 5.4%. At the same time, the majority of undocumented immigrants can't access social services and even documented immigrants routinely underuse programs they're eligible for. There’s so much more to say, but when I talk to people with these ideas, I try to unpack where these fears come from. Sometimes they hear me, and sometimes they don’t, but I try to get through.

7- What's your Twitter handle, and do you have two or three writer friends on there to shout-out to for #WriterWednesday ?

You can find me at @kelseyjofreeman and I’d love to give a shout out to writers Jean Troustine @justicewithjean and Esther Nunoo @boomchackalacka (on Instagram).

8- Do you have a favorite #bookstagram image or account/ profile?

I follow and love Lupita.reads on Instagram!

9- What most motivates you to read a new book?

Overall, I look for books that teach me something about the world around me or myself, whether they are fiction or nonfiction.

10- It's our tenth anniversary! How far has your writing come in the past ten years and where do you see your writing career ten years from now?

Ten years ago I was 16, so my writing has come a long way! I have always loved writing and hoped to publish a book, so I am excited to have brought this goal to fruition. Over the next ten years, I plan to continue writing books that expose how key policy issues affect people’s lived experiences. One of my strengths as a writer is my ability to connect the personal with the political, so I intend to continue this focus over the next ten years.

11- What is your favorite book by someone else, what's the author's Twitter handle, and what do you love most about that book? #FridayReads book recommendation time!

A favorite book is too hard to choose! Favorite book of the moment is
Author name: Terese Marie Malhoit @TereseMarieM
Title: Heart Berries
Love because: it is so moving that I would often read a sentence, stop, and marvel at how a particular emotion could be so truthfully described. Searing and real, Heart Berries cuts to the heart of trauma, pain and resiliency.


12- What emotions do you hope your book will evoke for the reader?

Above all, I hope my book evokes empathy. I hope readers consider what they would do if in put in the shoes of those who migrate.

13- What kind of impact do you hope your book will have?

The purpose of No Option but North is to cultivate respect and highlight the dignity of migrants as human beings. It highlights that migration is a game of options, or lack thereof. Those that lack certain privileges are more likely to leave their countries but are less likely to have legal avenues for migrating. They then undertake a brutal, violent journey through Mexico and across the border because their alternative choices for survival and decency have run out. I hope that readers see how the structural injustices and inadequacies render these harrowing stories possible and put migrants in impossible situations where truly, their only option is to head north.

14- What is the best writing tool, program, or reference book you've ever bought?

I was entirely new to the publishing process, so Thinking Like Your Editor: How to Write Great Serious Nonfiction and Get It Published by Alfred Fortunato and Susan Rabiner was really helpful in terms of understanding how to query and pitch for publication.

15- In what ways are the main characters in your book diverse? diversebooks.org #WeNeedDiverseBooks

As a Jewish author, my grandmother’s story certainly played a role in my interest in this topic. She and her family escaped the Holocaust, fleeing Germany to Italy and eventually the U.S. No Option but North delves into what it means to migrate by necessity today. By centering the stories of working-class Central Americans and Mexicans, the book also explores how race, class and nationality play a role in who can come to the U.S. legally, and who has to undergo the perilous journey north.

16- Who is your favorite book review blogger?

I am a fan of The Rumpus, so I would certainly recommend it to those looking for new reads!

17- What was the deciding factor in your publication route?

Because No Option but North is my debut book, I wanted to traditionally publish it. However, as writer in my early twenties, I knew finding a publisher would be an uphill battle. As I swallowed rejections, I continued to pitch because I was confident that the themes in No Option but North were crucial and that the book would find a home. In 2019, I found IG Publishing, a small press in New York, and in 2020, I became a published author.

18- Which author, past or present, do you feel most resembles your work?

In terms of interweaving stories with contextual/policy analysis to better understand the world of immigration, I was most inspired by the writing of Óscar Martínez, Lauren Markham, and Jason De León.

19- Would you please ask our audience a question to answer in the comments?

What most motivates you to read a new book?

20- Anything else you would care to share about your book and yourself?


About the book:


In the thick of Donald Trump’s presidential campaign in 2016, and through the travel bans his administration issued in 2017, journalist Kelsey Freeman spent nine months interviewing Central American and Mexican migrants in a shelter in central Mexico, along the migrant path. No Option But North interweaves their stories with research and anecdotes from Freeman’s experiences to reveal the fundamental moral quandaries involved in contemporary migration—from the expanding gang violence that drives migrants out of their home countries, to their dearth of legal options on both sides of the border, and more. In the process, Freeman takes us on a harrowing journey that strikes at the heart of the human ability to endure. A timely chronicle of contemporary migration from Central America and Mexico that peels back the layers of privilege underlying American and Mexican migration policies, No Option But North adds powerful color and force to the immigration narrative.

About me:


As a writer and educator, Kelsey Freeman focuses on immigration policy, Indigenous rights, social justice, and public policy. After graduating from Bowdoin College, she received a Fulbright Fellowship to teach English and study migration in central Mexico. She currently runs a college-readiness program for Native American high school students through Central Oregon Community College.
You can find out more at my website, kelseyfreemanauthor.com Or follow me on nooptionbutnorth (Instagram) or @kelseyjofreeman on Twitter.


No Option But North: The Migrant World and the Perilous Path Across the Border by Kelsey Freeman

October 2020 Pass Or Pages Agent Panel Reveal!

 

 

Meet the agents who will critique your Young Adult! Of any genre! entries!

 

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Dr. Uwe Stender

Triada US Literary Agency

Dr. Uwe Stender is a Full Member of the AAR (Association of Authors' Representatives). He is interested in all kinds of non-fiction and fiction. In non-fiction, he is completely open to any project, from Memoir, Pop Culture, and Health to How-to, Gardening, History and everything in between, including non-fiction for children. In Children's fiction, he is looking for YA, Graphic Novels, and MG. In adult fiction, his tastes trend towards Women's Fiction, Psychological Suspense, and Mysteries.  As an immigrant to the USA himself, he is always eager to bring projects from underrepresented voices into the world. So surprise him, his tastes are eclectic, and he may just love what you wrote!

*We are extra thrilled to welcome Dr. Stender as a Special Returning Agent who was with us for the first OA query contest. Welcome back!


 

Kelly Peterson

Rees Literary

Kelly Peterson is a West Chester University graduate with a B.S.Ed in English and Literature. She worked as a Junior Literary Agent for two years before moving to Rees Literary Agency, continuing to champion her authors and the manuscripts she loves. Kelly seeks manuscripts in various genres within Middle Grade, Young Adult, and Adult age ranges. In Middle Grade, she loves fantasy, sci-fi, and contemporary that touches on tough issues for young readers. Her Young Adult preferences vary from contemporary to high fantasy, sci-fi (not the space kind) to paranormal (all the ghost stories, please!), and historical all the way back to rom-coms. Kelly is proud to continue to represent Adult manuscripts in romance, fantasy, and sci-fi. She is very interested in representing authors with marginalized own voices stories, witty and unique characters, pirates, witches, and dark fantasies.

 *We are extra thrilled to welcome Kelly Peterson as our Popular Returning Agent who has agreed to do Pass Or Pages more than anyone else, and this will be her FIFTH time taking part of OA Pass or Pages. A special thank you for donating her time to help querying writers!

 

 

Shannon Snow

Creative Media Agency, Inc.

Shannon Snow has a very eclectic reading taste. Snow is looking for books that have a unique angle, and authors that have a wonderful, engaging voice. Characterization is a top draw for Snow because if she can't connect to a character, she can't fully engage with a story. So, Snow is looking for vivid, well-developed characters. Snow absolutely loves when an author can make her laugh, make make her pull out my tissue box, or just make her feel emotion in general.

 

 

Jennifer Herrington

The Harvey Klinger Literary Agency

Jennifer Herrington is an associate agent with the Harvey Klinger Literary Agency, and she is actively building her list in the middle grade, YA, and adult categories. She is looking for character and voice-driven books that she connects with on an emotional level. Herrington wants a book that makes her laugh or cry and extra points for both! Herrington is especially open to BIPOC and LGBTQ+ stories and voices in the mentioned categories.

 

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Torie Doherty Munro

Writers House

Torie Doherty Munro started at Writers House as an intern in 2010 and began building her own list in 2015 representing middle grade, young adult, and adult authors. She especially loves adult fiction that features younger protagonists, as well as magical realism, historical fiction, and mysteries/thrillers that tend towards the literary and psychological. For YA, she’s a huge fan of unreliable narrators and plot twists that take her so completely by surprise that she gasps out loud, or any book that gets at the uniquely tumultuous, confusing, and exciting experience of being a teenager, really – anything that makes her heart hurt at least once before the final page. And when it comes to middle grade, she gravitates to anything with heart at the center. To break it down a little further: quirky adventures, laugh-out-loud hilarity, and contemporary or historical stories that fully engage the reader in a world that is simultaneously familiar and new to them. She’s also a sucker for retold fairytales, or any stories that captures the kind of classic fantasy feeling of the books she adored at that age.

 


Details for October 2020 Pass or Pages: 

Entry starts: Monday, October 5 at 6 a.m. Eastern

Entry ends: Friday, October 9 at 6 p.m. Eastern
Category/Genre: Young Adult of any Genre!
How To Enter: Fill out the entry form on the contest post when it goes live on October 5.
What Is Required: Your query (NO BIO or personalization for agents), your first 250 words, a complete and polished MS

You can also read more about the rules 
here.

The winning entries with agent commentary will be posted on Operation Awesome the week of October 29th, one entry each day. If you aren't comfortable with having your entry (which will be anonymous) shared on the blog, please don't enter Pass or Pages!


If you have any questions, please ask in the comments or tweet 
@OpAwesome6. Also, feel free to chat about the contest with fellow participants with the hashtag #PassOrPages.

Monday, September 28, 2020

Stranded on a desert island

Here's a Goodreads list of 100 books to read before you die.  Below are the top 10:

To Kill a Mockingbird by Harper Lee
Pride and Prejudice by Jane Austen
The Diary of Anne Frank by Anne Frank
1984 by George Orwell
Harry Potter and the Sorcerer's Stone by J.K. Rowling
The Lord of the Rings (1-3) by J.R.R. Tolkien
The Great Gatsby by F. Scott Fitzgerald
Charlotte's Web by E.B. White
The Hobbit by J.R.R. Tolkien
Little Women by Louisa May Alcott

Here's a Bustle article on the 10 books readers said they'd want most if stranded on a desert island. Interesting that only one book is on both lists.

Ulysses by James Joyce
Robinson Crusoe by Daniel Defoe
The Divine Comedy by Dante Alighieri
The Holy Bible [and other religious texts]
Infinite Jest by David Foster Wallace
Outlander by Diana Gabaldon
The Complete Works of William Shakespeare
Pride and Prejudice by Jane Austen
The Color Purple by Alice Walker
Harry Potter and the Prisoner of Azkaban by JK Rowling

I've read 5 from the first list and 2 from the second list.  What about you?  Which have you read?  Is there one you enjoyed the most?  Which book would YOU want if YOU were stranded on a desert island?


Thursday, September 24, 2020

#QueryFriday


It's time for #QueryFriday! Enter for a chance to win a query critique by yours truly! Here's how to participate:

1. Comment on this post and at least one other post from this week by SUNDAY 09/27 at 12 pm EST.

2. Leave your email address in the comment or have it available on your Blogger profile. (If I can't find you, I can't get in touch with you!)

The winner will be chosen via random draw and will be announced in the comment section of this post on Sunday.

See this post for additional rules. Good luck!

-Amren

Dear O'Abby: I offered to read for another author and this happened...

 Dear O'Abby,

I was looking for new critique partners/beta readers and reached out in a Facebook group I'm part of.  A couple of people offered to read for me in exchange for me reading for them.  I jumped at the chance especially since both these writers are published authors and I thought they would be able to give me valuable feedback.  I also thought I could learn a lot from reading their works in progress.

One of these authors has been a delight to work with.  Her feedback was incredibly useful, and she was very gracious and grateful for the feedback I gave her on her book.

The second was a completely different story.

I spent over a week of my writing time working through her MS, writing comments through the text as I found things that I felt were unclear, lacking in motivation or just questions I had. There were also a lot of spelling and grammar errors through the MS, and places where the POV switched for a few pages then switched back.  Character names kept changing, which confused me. Then I spent another day writing an edit letter, outlining everything I liked about the story, disliked about the story, the characters, the setting, the style of the prose and more.  

It took her over six weeks to get my MS back to me, and when I received it, I eagerly opened the email, waiting to find out where this writer thought I could improve.  The email was short.  Just a couple of lines saying she didn't think the book was ready for publication yet.  Which I already knew.  That's why I had asked for feedback.  So I opened the MS, expecting comments through it.  There were three in the whole MS.  And one of them was on the fourth page, saying she didn't understand the character motivation.  The fourth page, where the character has barely been introduced, let alone given enough backstory to be able to understand why she might do something that could be considered peculiar. I'm not even sure she read past the whole book because there were no comments after page 98.

To say I was disappointed would be an understatement.  I'd been waiting for this feedback for six weeks.  I'd spent hours of my time working through her book.  And I got three comments and a note saying it wasn't ready to be published.  

Am I overreacting here?  Was I wrong to expect more from this writer?  I'm furious, but even more, I'm now wary about doing this kind of thing again. I can't afford to hire an editor or pay for a professional beta read, but I also can't afford to be giving so much of my time to someone who doesn't give back.

Best,

Disappointed.

Dear Disappointed,

I don't think you are overreacting.  This is disappointing and you have a right to be angry about it.  You are also right to be wary about doing this again.

Everyone has their own way of offering critiques, and it's worth finding out if your critiquing style matches with a potential crit partner.  Whenever I begin a relationship with a new writing partner, I offer to critique a single chapter first, so they can get an idea of the way I approach critiquing other writers' work.  If I'm swapping with them, I ask they do the same for me.  Especially if they are people I don't know well.

Some writers just aren't ready for real critique.  They want to be reassured that their work is wonderful and   don't want to listen to anyone who says otherwise.  If I send back a first chapter with a note about what is working and what isn't, and a whole lot of comments, I learn a lot about the writer by how they respond to that.  

I also learn a lot about their writing in that first chapter and will know whether I can actually spare the time to do the critique.  If there are masses of things to comment on, POV slips, spelling mistakes, grammar errors and character inconsistencies, I know the book probably isn't really ready for me to critique yet.  And I will tell the writer that.  I won't spend the time necessary on a book that clearly hasn't had care taken on it by the author.

It probably doesn't make me the most popular person in publishing, but I believe in being honest.  And I also believe my time is valuable and I need to ensure I'm make the best possible use of it.  And critiquing a book that clearly isn't ready for that isn't the best use of my time.

My advice to you is not to give up because you had one disappointing experience.  There are people who will help and if you keep looking, you may be lucky enough to gather a group of like-minded authors around yourself that you can rely on for good, constructive feedback.  Just start small.  Offer a few pages of critique first so you can see if your styles gel, if the other writer's work is ready to be critiqued.  And don't be afraid to say no.

Good luck!

X O'Abby

Wednesday, September 23, 2020

Operation Awesome #20Questions in #2020 of #NewBook Debut Author Dr. Tinita Kearney #lolakoala

Operation Awesome #20Questions in #2020 of #NewBook Debut Author posted by @JLenniDorner of @OpAwesome6

Operation Awesome #20Questions in #2020 of #NewBook Debut Author Dr. Tinita Kearney #lolakoala
Lola Koala's Travel Adventures: Who, What, Where & Yes/No Questions
by Dr. Tinita Kearney


1- Do you have any #selfcare tips for traveling, especially with young children?

My #1 tip to reduce stress while traveling with small kids is to prepare little ones for the trip by discussing what they can expect, as well as what you expect of them and reviewing these often in the days leading up to the trip.

2- Would you please, in 160 characters or less, give a #WriteTip ?

Get real feedback from children in your target age range prior to sending to print, if possible!

3- What is the best piece of writing advice you've received?

Carve out dedicated writing time daily

4- What is your favorite trip destination and what is on your wishlist?

My favorite trip was to Costa Rica - I spent a month and a half volunteering as well as exploring the beautiful sites of Costa Rica.

5- Would you share a picture with us of your book in a fun setting?

Operation Awesome #20Questions in #2020 of #NewBook Debut Author Dr. Tinita Kearney #lolakoala


6- Would you tell us a little about your Ph. D. and how you became interested in the field?

My Ph.D. is in Speech-Language Pathology and I first became interested in the field after attending an Orientation class during my freshman year at the illustrious Howard University, DC. The Chairs of the various departments in the School of Communications presented briefly and the Chair of the Department of Communications Sciences and Disorders convinced me with her presentation that I needed to switch majors (I was a Journalism major) - and I did! It was the best decision ever.

7- What's your Twitter handle, and do you have two or three writer friends on there to shout-out to for #WriterWednesday ?



8- Do you have a favorite #bookstagram image or account/ profile?

Mine! dr.t_slp. I also like @bookofcinz

9- What most motivates you to read a new book?

If I'm unfamiliar with the author or backstory, then it's the cover that reels me in!

10- It's our tenth anniversary! How far has your writing come in the past ten years and where do you see your writing career ten years from now?

I've been writing short stories and poems since 3rd grade, but this is my 1st children's book and I hope to have a thriving series as well as a few books for young adults in the future.

11- What is your favorite book by someone else, what's the author's Twitter handle, and what do you love most about that book? #FridayReads book recommendation time!

Author name: Matthew Cherry @MatthewACherry
Title: Hair Love
Love because: It beautifully highlights the unique awesomeness of Black hair while simultaneously celebrating the nuances that make the Black family and Black love one-of-a-kind!


12- What emotions do you hope your book will evoke for the reader?

Excitement and curiosity

13- What kind of impact do you hope your book will have?

My hope is that my books empower families to increase their children's language skills while growing children's appreciation for the things that make the people of our planet diverse and unique!

14- What is the best writing tool, program, or reference book you've ever bought?
Operation Awesome #20Questions in #2020 of #NewBook Debut Author Dr. Tinita Kearney #lolakoala

Scrivener

15- In what ways are the main characters in your book diverse? diversebooks.org #WeNeedDiverseBooks

My book features diverse characters and diverse countries.

16- Who is your favorite book review blogger?

I am very new to the book review blogger world and currently don't have one!

17- What was the deciding factor in your publication route?

Cost

18- Which author, past or present, do you feel most resembles your work?

I cannot provide an author who I feel resembles my work, but I do love Anna Dewdney's works and hope that my rhyming skills are on par!
Operation Awesome #20Questions in #2020 of #NewBook Debut Author Dr. Tinita Kearney #lolakoala


19- Would you please ask our audience a question to answer in the comments?

What country would you like to see Lola Koala explore?

20- Anything else you would care to share about your book and yourself?

Dr. Tinita O. Kearney is a speech-language pathologist who hails from New York and currently lives in Maryland. She owns a speech therapy private practice and lives to empower families to be their child’s very best advocate and resource. Check out her newest children’s book series at http://lolakoala.com and follow her on Instagram dr.t_slp.
Operation Awesome #20Questions in #2020 of #NewBook Debut Author Dr. Tinita Kearney #lolakoala


Operation Awesome #20Questions in #2020 of #NewBook Debut Author Dr. Tinita Kearney #lolakoala
Lola Koala's Travel Adventures: Who, What, Where & Yes/No Questions
by Dr. Tinita Kearney
https://www.lolakoala.com/product-page/lola-koala-s-travel-adventures-book-1-simple-wh-and-yes-no-questions