Not Being in a Rush

This week marks my one-year anniversary of being agented.

And before you cue the congratulations, let me say that if I had known then that I would celebrate this day as an unpublished writer, I would have cried.

And not happy tears either.

I spent five of the last months in revisions. Four of them on sub. Two of them licking my wounds when the sub failed. And three of them writing. (No, it doesn’t add up. But I can do two things at once, you know.) The bottle of champagne I bought when I first went on submission stays in the fridge, chilled into perpetuity like Walt Disney’s brain.

But now I am no longer in a hurry.

We all know publishing is a hurry-up-and-wait business. You don’t need patience to handle the waits (because you will be waiting anyway, even if you’re chewing wallpaper while you do it), but it helps.

And sometimes I am patient. I spent 2 ½ years writing and revising my first book.

But once I had an agent, I was in a hurry. My dreams were so close to coming true. So couldn’t I have my deal NOW?

Then I had my answer: No.

So now I’m working on my next book. It won’t take me 2 ½ years, but I’m not setting any land speed records. Sometimes I wonder what’s wrong with me. I know some writers who turn out beautiful, compelling manuscripts in weeks, not years.

So I was heartened to read a recent feature on Huffington Post:

41 Over 40: Novelists Debuting Over 40

(HT Lisa Brackmann, author of the brilliant 2010 debut Rock Paper Tiger)

Now this is a list inspires me. If Laura Ingalls Wilder and George Eliot belong to that club, I want to join too.

So even if I’m age-eligible now, I still have time left to take care of the other minor criterion: getting a debut published. I have time to learn my craft. Time to write, revise, and wait until I'm ready.

Even if I have to freeze my head, Disney style, and dictate the thing centuries from now, using my thawed-out brain waves to beam the book directly into the cranial feeds of my yet-to-be-born readership (and if Uncle Walt wants the film rights, so much the better.)

See, I’m willing to pay my dues.

Everthing I know I learnt from Disney

Disclaimer: I love Disney.
Not in an obsessed, thousands of cuddly toy, merchandise way. I love it in an enjoy the story kinda way.

Some of the first films I saw were Disney. I can remember seeing Bambi with my mum on a re-release when I was five! I had a box of sweets, they were nice.

And I was hooked.

Maybe it's the inner child in me? Maybe I'm a sucker for a song? Perhaps it's my love of art and animation breaking to the surface? There's just something about the classic storytelling I enjoy.

Lets face it, those guys and gals know how to tell a story.

Now, admittedly, they have the foundations laid out for them. The rich history of fairy tales like Snow White, Sleeping Beauty, The Little Mermaid, Beauty and the Beast, Aladdin.

See, even Disney 'borrow' ideas from other authors!

Their heroines, hero's - even their villains - are fleshed out and fully developed. They have back story, hopes, dreams and, sometimes, even a song telling us what they want.

But the ones who we find out the most about are the princesses. Yup, those feisty doe-eyed beauties with their needs and vulnerabilities.

Ever want to know what a Disney gal wants? Check out her song.



So, if you are ever stuck, maybe you just need an "I'm wishing" song. It doesn't have to be for your character either. Here's my writer wishing song in a Belle style.

"I want want my novels in the great wide somewhere,
I want all my books to sell,
I want to touch my fans,
I want to write the best I can,
I have themes, and scenes and plots and plans."

Go on, you know you want too write one too. :)