Wednesday, November 12, 2014

A Writing Journey: The Hunger Games GIF Edition

With The Hunger Games: Mockingjay - Part 1 being released very soon (November 20th in the UK and November 21st in the US), I decided I'd do a little GIF post

Those moments where fragile inspiration begins:


Where finding/developing a new story is precious:


When the progress of writing feels like:


To those moments where you push to keep going:


To the hard, often destructive, task of editing : 


Then making sure your book baby is the best it can be:


Celebrating the triumph of a completed manuscript:


And the moment you start the query journey:


With highs of success:



And the tough moments of doubt:


And there are times where your writing journey stalls. Times when the words won't flow. Where your creativity feels blocked. Some days are harder than others. Can you write today? Love of writing means  you open up that document and say: 


Because writing, telling stories, is what we do. And... : 

sleep animated GIF
Image via giphy.com 

All images via http://gifthg.tumblr.com unless stated. 

Happy Wednesday.

Monday, November 10, 2014

It's Not Always a Smooth Road



Since it feels like I've been posting a lot of giddy "Yay, Crow's Rest is nearly a book" posts here and on my Facebook pages, I wanted to also share a misstep on the journey. It's not a big one, but it left me feeling a little red in the face.

You see, the week before last I got something called "closing notes"--I was warned that it's not as final as it sounds, and would likely be a couple of round of edits before we went into layout. I dutifully went through and addressed all the notes and comments, just as I'd done in previous rounds of copyedits.

In some instances, things had been corrected/changed directly in the text with track changes, and some were addressed in the comments with requests for clarification on sources. So in those cases, I left a comment explaining why I wanted to keep it, or referred them to the source, or whatever issue had come up.

Then I shot the document back to my editor, and we had a few emails about what we would fix and how we would do it. But as far as I knew, I was waiting for another round, or document, to come back to me. So la la la, I dove back into drafting No Man's Land, the sequel.

Ha! I should have known things were too quiet! I then got an email from my editor about something else, wherein he mentioned, "when you make those changes. . ." and I went, "WHAAT?" Apparently, they'd been waiting for me to go in and make the changes and otherwise clean up the document.To be fair, I hadn't been explicitly told that (and I'm nothing if not a literal person), or maybe I was distracted by the request for input on the interior art.

But even though I was embarrassed that I'd unwittingly held up the process, I paid for it in other ways, too--because it meant that the time I had to work on the document was also the two days last week that the contractor came back to start fixing our tile floor. Two days of hearing the grinding of the grout and tile (even with earplugs in and my office door closed), and of clouds of dust waiting for me if I stepped out of my office.

I worked on it steadily, but at about 30% of the rate it would have normally taken me, and I even got a nudge in there from the editor, gently asking if I'd finished yet. But I did finish, and returned them on Friday, and I'm proud of myself for sticking it out under harrowing circumstances.

If anything, this experience has done more than anything previously to make me feel like a "real" writer. But then, ask me again when I'm holding an actual copy of my book, and maybe I'll have a different answer!

Sunday, November 9, 2014

Celebrating Picture Book Month

Many writers think of November as National Novel Writing Month, but there's another literary event going on, and it's much easier to celebrate: Picture Book Month. While it's hard to cram in 40,000 words of writing amid holiday celebrations, it's easy to honor and enjoy illustrated books yourself or with children.

Read them. 
Read by yourself or with a child. Browse a bookstore or a library.

Talk about them.

Join the conversation at SCBWI events, online at the Blueboards, or on Twitter at #picturebookmonth.

Brainstorm them.
Participate in Picture Book Idea Month. Started by picture book writer Tara Lazar, write down an idea a day to kickstart your creative process and get your mind thinking in the weird and wild ways that inspire new stories.

Write them.
Shape off your best idea into a story. Sign up for picture book writer Julie Hedlund's 2015 12 x 12 Challenge  and write a picture book manuscript per month.

Picture books are a child's first introduction to literature, but there's no need to outgrow them. Picture books are the beginning of the story of a reader, not the end.

Saturday, November 8, 2014

CONTEST TIME!

Happy Saturday everyone!

I'm curled up on the couch with a goal of watching all the movies made by the director and producer of a film based on my novel, The Forlorned. I am so excited to have the talented and beautiful Elizabeth Mouton as one of the stars in this upcoming motion picture. You can check out her IMBD credits and read more about her here.

While I was writing The Forlorned, I pictured someone who looked very similar to Elizabeth. It will be so fun to see my vision come alive on the big screen. The rest of the casting will take place November 15th--and I hope to get some really great behind the scenes footage to share with you.

Also if anyone has any questions about screenwriting or breaking into movies, please contact me. I am always happy to help you the best I can.

In the meantime--check out my blog. I'm having a fun contest. All you have to do is become a follower and you will be entered for a chance to win a cool popcorn/candy package.

Check it out here http://theforlorned.blogspot.com/



Friday, November 7, 2014

Your Readers' Changing Perspectives

"Does life imitate art or is it the other way around?" My answer is BOTH.

The story behind the bike in the tree

First art imitated life, and then life began to incorporate art into its branches until today the two are inseparably connected. It almost becomes the chicken and the egg. Trees. Eggs. Chickens. What am I getting at?

Every day I live gives me greater breadth of experience, makes a book I read as a child accessible to me on a whole new level. Have you tried it? Have you read a children's book as an adult and suddenly understood a joke, an aphorism, a character, in a way you never could before? I guess just as important as which books you read is when you read those books. 

Would A Lantern in Her Hand have touched me the same way if I had read it before having children? Would Harry Potter have struck me differently if I hadn't read it with my boyfriend/future-husband? Would I have fallen in love with reading without my fourth-grade teacher's gift of The Girl with the Silver Eyes the day before I moved out of the district? Would I have chosen to be a writer?

My husband has read the entire Harry Potter series three times in the past 9 years. Each time, he mentions something else he noticed or understood. Every time he does, it makes me want to reread the whole series. That's an adventure I'm almost afraid to begin. Some people have lost respect for a childhood favorite in the rereading process. The writing isn't as spectacular as they remembered, and what was first imaginative and whimsical is now pedestrian and formulaic.

As writers, how can we write to our audience when it is ever changing, or ensure our words and themes will resonate with the widest spectrum of human experience? 

Well, a few greats have done it. JK Rowling comes to mind. As does JRR Tolkien and CS Lewis. All the classics quoted in your favorite books from Shakespeare to Austen to Eliot. The large majority of books aren't so widely read, for whatever reasons. I don't think the goal is to be JK Rowling. I think the goal is to reach YOUR readers.

In the introduction to Hatchet, Gary Paulsen writes about how surprised he was at the popular response to his book. He just wrote it. He wrote it because it was the story in him. The story resonated with the people who discovered it when they needed it. For many of his young readers, Hatchet was formative.

LM Montgomery wrote a lot before hitting on something that became the single favorite classic for young girls even today: Anne of Green Gables. Now I can't imagine my childhood without its influence.



Write what you know, they say. Good advice. I would add, Write what's important to you. When you hit on that, you'll have found your audience. And though that audience may change over years and decades, hearts will be touched and lives transformed in the reading. And isn't that the point?

Thursday, November 6, 2014

My Path to Publication, by Kristal Shaff


Copyright: lawren / 123RF Stock Photo

I am no stranger to rejection. In middle school, I was bullied. I often felt like the left out loser. And even now, in adulthood, I sometimes feel that way, too. But my bullying experiences as a youth made me more sensitive and sympathetic to people now.  It helped me grow as a person.

My writing journey has reflected a similar path in many way. When I finished my first book, I wanted to be the person who sent out 5 query letters, have all 5 agents fighting over me, and then have publishers pushing each other out of the way to gain my attention. My journey was NOTHING like that.

It took me at least 70 queries (and 69 rejections) to get my agent. Once we had the book in submission, it had great prospects. I even had an editor at Little Brown Publishing say he LOVED it, but he asked for revisions. In the end, he rejected it, saying he still loved it but he didn't think he could sell it to his other staff. My submission failed. And my agent and I parted ways.

It was at that point in my writing life that my writing stalled. For several years, I couldn't focus on my words. I puttered around with a few projects, but that rejection, so close to publication, really injured me.

During that time, I submitted my manuscript directly to a few publishers and even got a really great personalized rejection from Baen (who gave me a nice comparison to Brandon Sanderson).

Fast forward. I pulled out the book, polished it off again, and entered Angry Robot's Open Door submission. Out of 944 submissions, approximately 24 made it to the level of editorial. Out of those, three were chosen to be published. An additional 3 were asked to rewrite and revise. I was one of those three.

Laura Lam (Pantomime,  Shadowplay, False Hearts)  and I were passed down to the YA imprint, Strange Chemistry, while Wesley Chu (The Lives of Tao, The Deaths of Tao, Time Salvager), was under consideration with Angry Robot.

The three of us waited, and waited, and chatted together. We angsted about our submissions. My two new friends were offered contracts, and I still waited on.

So out of nearly 1,000 submissions, I was the LAST to hear an answer. It reminded me a bit of those early days in my life, when I was picked last for teams on the playground. Then I finally heard my answer. And yup, you guessed it.

After 13 months of waiting, it was rejected by an editor again.

Of course I was ticked, especially when you get a near form rejection after a complete rewrite. I cried … a lot. But after a day of stewing, I realized I would be just fine.

My writing was good enough to gain specific attention of editors, some from really big houses. I was good enough to get an agent. Good enough to be the top six of nearly 1,000 submissions. Even though it ended in another rejection, it gave me the confidence to keep going.

A week after that last rejection, I was given an offer from Month9Books.

People say to trunk your first book. And yes, sometimes I agree. But in my case, I just couldn't. The story kept prodding me to keep going. Besides, it had transformed so entirely from that first draft, and even from the time I was agented, that I knew it had merit. I believed in my story, and so did Courtney Koschel, my rock star editor from Month9Books.

And even though the process of publishing after you get a place is a long process (over 2 years for me), I am here, grateful and excited to be able to finally share it with you.

I will say though … Because of my long process, I am stronger than those waltzing in and gaining success immediately. I’m more sympathetic to the underdogs, the ones who struggle, even the authors who decide to self-publish and do it their own way. It's helped me learn. It's helped me grow. It's thickened my skin. It's made me a fighter. It's taught me to trudge through the snowstorm of adversity. Failure has helped me be a better writer and a better person.

And it’s made this book release so much sweeter.



******



Available Now!

YA Epic Fantasy from Month9Books

For hundreds of years, dark clouds covered the skies of Adamah, and an ageless king ruled. Those who emerged with one of six extraordinary Shay powers were forced into the king's army, an unmatched force with inhuman Strength, Speed, Accuracy, Perception, Empathy, and Healing. With the army behind him, the king—a man who wields all six abilities—was invincible and unquestioned in his rule. To most, serving the king was an honor. But for others, it was a fate worse than death.

When seventeen-year-old Nolan Trividar witnesses the transformation of his brother from kind to cruel after entering the king’s army, he vows never to follow the same path.

So when his own power—the Shay of Accuracy—comes upon him at the Tournament of Awakening, Nolan conceals his emergence instead of joining the king’s ranks. For years, he traitorously hides his power, pretending to be only a gifted scribe. But when Nolan comes face -to-face with a deserter, the man discovers his secret.

To evade detection and a death sentence, Nolan escapes with the deserter and flees into a night filled with dark creatures who steal both powers and souls. He joins a resistance, a village hidden deep in the forest, filled with others who secretly wield a Shay. But his peace is short-lived when they discover that the dark clouds, undead creatures, their own decreasing powers, and even the king, are all connected
Purchase Links

Wednesday, November 5, 2014

A little give and take

Take a close look at the above picture. Can you guess what all five DVDs have in common?








Perhaps I should narrow it down a little more. It does NOT have anything to do with the original book demographic. So you can cross that off your list.







It also has nothing to do with the characters.








Figure it out yet?








Maybe you should look one more time. Just to be sure.







Here's the answer. Are you ready? All five of those DVDs offered a free digital copy with purchase. (Did the answer surprise you?)

This might not seem like a big deal, but for many buyers, it is. If you watch movies on any kind of mobile device, the choice between a DVD and a free digital copy with the DVD is pretty much a no-brainer. For me, it's what cinches the deal. Why purchase the plain DVD when, for practically the same price, I can get the DVD to watch at home, and the digital copy to watch, well, everywhere else?

Indie authors have something sort of like this. I'm not sure if it's available in traditional publishing (if so, please direct me to it), but the indie version is called:


Not all books/ebooks are enrolled in KM, and even if they are, not all are set up for free when you purchase the hard copy. But you'd be surprised at just how many books are enrolled and how many of the ebooks are free.

I love Kindle Matchbook (link), because it's good for both the author and the reader. 

Author Benefit #1: Additional books in a reader's hands means a higher likelihood of your book being read.

Reader benefit #1: Additional books in a reader's hands means a higher likelihood of their book being read. 


Author Benefit #2: Additional book in reader's hands = higher likelihood of your book being gifted.

Reader Benefit #2: Additional book in reader's hands = higher likelihood of them sharing one of their copies.


Author Benefit #3: The author is saying, Hey, reader, thanks for purchasing this hard copy! You matter to me! As a thank you, I want to give you another version! Keep them both, or give one to a friend!

Reader Benefit #3: The author has just given me an extra copy! I feel special! Shall I keep it? Or give it away? Squee!


There are many other benefits to this awesome feature, but the point is, whether you're an indie author who publishes through Createspace and KDP, or a reader who loves to purchase books from Amazon, Kindle Matchbook is definitely a feature worth checking into. 

For more information about Kindle Matchbook, or to search for participating titles, click HERE. 



Monday, November 3, 2014

Plot running astray?

The second draft of my novel has gone in so many unexpected directions, it feels more like a first draft, and I wish I could do NaNo WriMo with the rest of you wonderful people.

In my revisions, I built an ever-increasing word count that bordered on gluttonous, and it eventually ran my story into the ground. Kind of like this:



For days, I hemmed over how to jump start everything into gear. The answer came when I helped a student hone in on her research paper thesis. I told her a mantra from my own papers: "Stick to your thesis like glue."

I realized my novel's thesis was my synopsis and query, and I hadn't stuck to them at all. Notes and changes were spread across multiple documents, and there was a story thread that didn't need to be there. That's what was blocking my path.

Here's how I got myself untangled:

Step 1: Revised query and synopsis to reflect new story directions, and stuck to it like glue

Step 2: Condensed proposed story changes into a manageable to-do list

Step 3: Sliced out extra story threads that didn't belong

So far, I've been able to subtract 4,000 words, and I now have a clear path to the end:



I hope, whether you're doing NaNo WriMo, or if you're buried in revisions like I am, that you can stick to your query and synopsis (or outline, if that's your preference). Especially if you find your plot tangled or your story stalled. Letting go of what you don't need makes everything a ton easier.

Your turn: What are some ways you've tamed your unruly plots?


Saturday, November 1, 2014

NaNo Tracker 2014

I'm not able to participate in NaNo this year because we're buying a new house! There's just too much to pack and clean before its completion on December 1st. So overwhelming but so exciting. :)


Even though I'm not participating, I've adjusted my NaNo Tracker from last year to work for this year. If you're interested in using it to help track your NaNo progress, just click here to download the Excel 2007 and newer version.

If you would like the 97-2003 version, shoot me an email or leave your email address in the comments and I'll send it to you. Just so you know, I got about a million compatibility warnings when I saved that version, so no guarantees it will work properly.

If you have issues getting the spreadsheet to work, please take a look at last year's post for more info or leave your questions in the comments.

Happy NaNoing, everyone! I hope you all reach your goals. :)

Friday, October 31, 2014

Happy Halloween!

Image by satit_srihin at freedigitalphotos.net

Happy Halloween, Operation Awesome! I hope you have super fun plans for tonight, whether you will be trick or treating, headed to a party, or curling up with something nice and creepy. If you're planning on the latter, here are a few recommendations to get your night started.
 
Some free things:
 
- CLICK CLACK THE RATTLEBAG, a short story by Neil Gaiman presented in the classic, read-out-loud tradition of the creepy stories of our childhood. It's a free download from Audible today, so be sure to snatch it up. 
 
- HIS FACE ALL RED, a stunning horror comic by artist Emily Carroll. Carroll's comics are masterworks of the genre, lyrical and spare and brimming with unspoken dread. I highly recommend devouring all the other free comics on her page, and then checking out her anthology, THROUGH THE WOODS.

- WELCOME TO NIGHT VALE, a serialized podcast drama that's a delightful fusion of sci-fi, satire, and cosmic horror, all in the style of a small desert town's community radio broadcast. 
 
And here are a few lightning-fast book recommendations: 

- THE MONSTRUMOLOGIST, by Rick Yancey: The first of a stunning, devastating quartet of literary horror YA. Not for the faint of heart.
 
- THE CAVENDISH HOME FOR BOYS AND GIRLS, by Claire Legrand: A wickedly clever and deliciously creepy MG horror. Particularly good for those of you who loved CORALINE and want something similar.
 
-  LONG LANKIN by Lindsey Barraclough: The atmosphere in this debut is perfect. And the titular monster is freaky as hell.
 
- THE HAUNTING OF HILL HOUSE by Shirley Jackson: It's usually best to let Jackson's words speak for themselves.
 
 "No live organism can continue for long to exist sanely under conditions of absolute reality; even larks and katydids are supposed, by some, to dream. Hill House, not sane, stood by itself against its hills, holding darkness within; it had stood for eighty years and might stand for eighty more. Within, walls continued upright, bricks met neatly, floors were firm, and doors were sensibly shut; silence lay steadily against the wood and stone of Hill House, and whatever walked there, walked alone."
 
And that seems like the perfect note to leave you on. Pleasant dreams! 

Thursday, October 30, 2014

Gearing up for NaNo....

All right my lovelies. It's almost November....and that means NANO!

I sort of attempt NaNo every year and never quite make it. Well, I shouldn't say that. I've written novels in a month (or less) on several occasions. Not really on purpose. But I have deadlines. And a brilliant ability to procrastinate ;-D Put those two together and you get a writer churning out a novel in a month or less ;-D But I never seem to be able to do it within the actual confines of Nov 1- Nov 30 for some reason.

This year, however, I am under contractual obligation to do so. Well, sort of. I have a manuscript due December 1st. And I have about 40-50k left to write. So...NaNo is falling at the perfect time for me. This year I shall prevail!!! Mostly because I absolutely have to, but still. Whatever works, eh? ;-)

A few of my favorite things about NaNo:

1 - lots of other writers madly trying to squeeze in awesome wordage every day. This is sooo much easier to do with friends :D

2 - This awesome Potato Man word counter! I've seen a lot of word counters but he is soooo fun :D

3 - The NaNo calendars!!! HERE are a bunch of great ones. I usually try to find one that matches the theme of the book I'm working on, for a little extra inspiration. But this year, I'm on the lookout for an Outlander calendar, because I've been totally Outlander (or Jamie, if I'm totally honest) obsessed for years and the release of the Starz show has made it sooo much worse lol So if anyone finds one let me know! :D And if you have links for calendars, leave them in the comments! These are so much fun - I esp love the ones with the funny inspirational sayings :D

So, how about you? Are you doing NaNo? Do you have a favorite part of NaNo or fun NaNo stuff to share?

Wednesday, October 29, 2014

It's All in the Details



Close up of spider's web
Photo by Sylvia Duckworth (cc)

A spiders web begins with a frame. It works, creating the structure as it goes along, but it knows what will strengthen it is the detail.

It travels round and round. Spinning it's thread into the image it needs, but knowing the truth can't be seen until the end.

But it still works. Detail after detail. If it falters it doesn't give up. It rests and returns to work.

We spin our story in the knowledge that it could fall apart at any moment, but we work. We push on with the fine thread of our plot, layering it with the detail we need. Until the day we step back and, hopefully, reveal something beautiful.

The structure holds it together, but it's all in the details that catch the reader in our story webs.

Tuesday, October 28, 2014

Book Birthday for Angus MacBain and the Agate Eyeglass

Happy Book-Birthday to our very own Angela Townsend 
for Book 2 in the Angus MacBain series.
If you loved book one, you'll definitely want to check this one out.

   Angus MacBain and the Agate Eyeglass



When Angus MacBain finds that a Sea Hag has cast a deadly spell on Vanora’s father, he must once again set aside his life in the outside world to plunge into danger to save his friend’s father. But when he seeks out Fane, advisor to the MacBain Kings, Angus discovers that Vanora’s father is not the only one in dire peril. Now with two souls in mortal danger, Angus and Vanora must face the unknown challenges of Fingal’s Cave alone this time—without the aid of his trusted advisor. But what new and dreadful dangers lurk in the Hall of Kings? Armed with only the ancient weapon of the MacBain Kings, the heirloom amber eyeglass, Angus is about to find out.





Available TODAY in Paperback and Digital formats at:
and


_________________________________________________

Monday, October 27, 2014

Book Festivals

I spent this last weekend volunteering at the California Capital Book Festival in Sacramento, the first time they've put on this event. Hopefully, if they continue to offer this event in the future, it will gain more traction (and more of an audience--the attendance was lower than I expected).

A couple of highlights for me were the Fearless Fifteeners panel, which I tweeted a picture of (please excuse the phone-quality pic)
I got to put faces to names on some of my fellow Fifteeners (left to right, they are: Alexis Bass, Kelly Loy Gilbert, Stacey Lee, Sabaa Tahir, and Jessica Taylor), as well as cheer them on. It was a good way for me to see a panel from the audience side, and to apply a more analytical view of it, in preparation for the fantasy writing panel I'm going to be on in January. I may have been biased, but I thought they all did fantastically well!

I also got to introduce and serve as moderator for my friend (and my cover artist), author Kelley York, and meet a new author-friend, Tracy Clark. They talked about writing for young adults and did a thoroughly charming job of representing our YA writer tribe.


I loved that this festival is local, so I hope they stick around and keep the author fun going!

Sunday, October 26, 2014

Two Reactions When You Tell Non-Writers You Have a Book Out

The other day, a friend was feeling insecure because of the reaction she got when she told people her book was self-published. It's the same reaction I get when I tell people about my own book, out from a newer medium-sized press. It's the same reaction I've heard directed at Big-Five published authors.

So I realized there are two main reactions anyone gets when they tell non-writers they have a book (or books) out:

Not impressed.
1) They are impressed because I've written and published a book, and the details don't matter.

2) They are not impressed and could never be impressed, because they've never heard of me, my book or my publisher, my genre is wrong, my method of publishing is wrong, my book is published in the wrong format, their cousin got published much younger than I am, there's no movie of my book, their next-door-neighbor has a Pulitzer, National Book Award, Newbery, and Caldecott for a string of New York Times bestsellers, and they are absolutely sure they'd do better if they tried it themselves.

When I get Reaction Number One, my tendency is to downplay what I've done. After all, when you hang out with writers, it seems like everyone writes books! But it's not that way for non-writers, so now I try to just take the compliment. Writing books is hard! I know it. You know it. Everyone I know who writes books knows it. And people who don't write books know it too. It's an accomplishment.

Reaction Number Two is the one that undermines confidence, and no writer is immune because there are always writers who are more successful, or who others perceive as producing books that matter more.

But the reaction that really matters isn't from people at cocktail parties or the line at the post office, but people who actually read my book. If I amuse, touch, provoke, or create a reaction, that's what really matters. I write for readers and myself, not for a conversational starter.

And while I don't know how everyone I meet has a cousin who won a Nobel Prize for Literature at the age of 22, it seems to happen. So I try to take the intent of speaker not as showupmanship, but as a conversational convention, like when you find out somebody is from the same hometown as your college roommate and you are compelled to ask if they know her.

Non-writers are just looking for common ground, same as me -- something to say. And guess what? I'm impressed by their cousin, because it IS an accomplishment, and I love any opening to talk about books, writing, the business of publishing, and people we know in common. Odds are, someone who isn't impressed knows -- or thinks they know -- about books and publishing, and there are a lot of directions that conversation can go. I want interaction, not accolades.

So bring on Reaction Number Two.


Saturday, October 25, 2014

Film Marketing—Film Festivals—The Blair Witch Project and more.



In just a few weeks a horror film based on my novel, The Forlorned, will be in production. In 2015 The Forlorned will be screened at a few film festivals in the United States. Festivals are very important for the promotion of films.

Film festivals are annual events, where motion picture films are screened and judged by film experts. Festivals can range from huge, red carpet events such as the Sundance Film Festival or Cannes in France. No matter the size or location the most important thing about the festivals is that they give an opportunity to independent filmmakers as well as big film producers. This allows all motion picture artists a chance to show the world their creative works. This is critical to the survival and spirit of film making for everyone who wants to join this profession. It gives many great movies with lower budgets a chance to shine.

For example, The Blair Witch Project was an independent film with a budget of very little (under $40,000.00) with a gross of over 200 million at the box office. At the film festival the film makers of the Blair Witch Project produced flyers and placed them around the Cannes film festival. The posters were of  "Missing" cast members. (Out of respect, the posters were quickly taken down when it was discovered a recent kidnapping had occurred in the film industry. Thankfully the executive was found safe.)  The posters gained a ton of attention to the film and the producers had huge success.   


My movie, The Forlorned will be screened and judged in 2015. The novel will also be released in the next few weeks.  

I never dreamed that when I wrote this novel I would have this kind of success. I lived through many rejections and set backs. Its very important to remember that every project is different and you may find success in different ways for your creative works. The trick is to never give up hope!






Happy Writing Everyone!

Friday, October 24, 2014

Pre-Writing for NaNoWriMo

Do you pre-write when you NaNo? The first time I did NaNoWriMo, I didn't do any pre-writing at all. It was strictly a stream of consciousness. What came out was somewhat, well, rambling, as streams of consciousness tend to be.

For a first draft, rambling isn't such a terrible thing. It only means that revision will be extremely important, and most likely time-consuming. Sure enough, it was. In fact, at the end of revision, I wasn't sure the story actually worked.

The next time I did NaNoWriMo, I came across a blog post about pre-writing, and was intrigued. The writer suggested I plot it all out in my head before writing, hitting all the major checkpoints of story architecture.



While there are many methods you can use to plot, my favorite is from Save the Cat. It's actually a book about screenwriting. You may be into screenwriting or you may not, but the structure of writing for film is extremely helpful to any fiction writer. It cuts all the darlings away to reveal the bones of the story, and the reason it does this is simply that the format of film is performing to the shortest attention spans in the world. Master this art of storytelling for film, and you'll be a master of the novel, as well.

Save the Cat has a chapter listing 15 'beats,' on The Blake Snyder Beat Sheet. A simple way to pre-write for NaNo would be to list these beats out on a piece of paper or a Word doc, and fill them in with your basic premise.

1. Opening Image
2. Theme Stated
3. Set-up
4. Catalyst
5. Debate
6. Break into Two
7. B Story
8. Fun and Games (I like to call this one The Musical Montage)
9. Midpoint
10. Bad Guys Close In
11. All Is Lost
12. Dark Night of the Soul
13. Break into Three
14. Finale
15. Final Image

For more incredibly helpful detail on these beats, buy Blake Snyder's book.

My NaNo project this year is a spiritual time travel story. What's yours?

Monday, October 20, 2014

What's in Your Toolbox?

With November quickly approaching, I've seen lots of posts on how to prep for NaNo this year.

I won't be participating, since I'm still editing my current WIP (I'm almost 260 pages in), but all the NaNo stuff got me thinking about being prepared for novel writing and editing, and what I keep in my writer's toolbox year-round. So here it is:
And it's just about this messy.
Writing: The Drafting Stage/Craft Honing

NaNoWriMo really put me in touch with my drafting process back in 2011. With a spreadsheet to keep track of word count, and a separate spreadsheet with character sketches and chapter synopses, I always felt confident at this stage.

For those of you pantsers out there (I'm sure there are many of us), I highly recommend Rock Your Plot by Cathy Yeardley--I often build my outline around the elements she includes, such as inciting event, plot points, pinch points, etc.

I'm also increasing my focus on character development--since I feel weakest there. Mostly, it's getting to what your protagonist wants (goal) and why they want it (motivation). Explore who your characters are, and how they've been shaped by their experiences. Sometimes characters won't tell you these things until halfway through the novel (or even after the novel is written). This happened to me in my current WIP, when I finally realized her main goal was to fill the holes within herself.

At all writing stages, published or not, growing in craft is something we can all do. For this reason, craft stuff probably constitutes the biggest part of my toolbox.

Books:

Rock Your Plot by Cathy Yeardley
Bird by Bird by Anne Lamott
Characters & Viewpoint by Orson Scott Card
The Art of Character by David Corbitt

Blogs:

Fiction University
Writer Unboxed

Editing: The Revising Stage/Perfectionism and Fear Mongering

I'd admit, this is still an uphill battle for me. I just printed out pages of a revised chapter that I plan to look at tomorrow with fresh eyes, but even before I do, I know it will need a lot of work.

A lesson I learned the hard way was not to worry about line edits too early. Sometimes the perfectionist in me refuses, but when I ask her if she's being helpful, and she says no, I tell her to take a hike. And then I allow myself to be satisfied with my product, even though it might be messy and unfinished.

Another big and hard lesson in this process was learning that the best editor = space from my novel. Which means trunking my first draft for months, maybe a year. When I finally do revisit content, here are some things I try to consider:

First stage: Are the characters compelling people that readers want to hang out with for hundreds of pages? Is the plot engaging? Is there a strong hook to reel readers in? Writing 21st Century Fiction by Donald Maass is helpful in this stage, because it includes all kinds of useful exercises to ramp up narrative.

Second stage: Is everything consistent? Are there story flaws?

*Insert many stages of editing and trunking, including drafts to beta readers*

Last stage: Is everything consistent? Do the sentences read awkwardly?

I'm still honing this part of my toolbox, so if anyone wants to include something in the comments section, I'm all ears.

Books:

Writing 21st Century Fiction by Donald Maass
GMC: Goal, Motivation, Conflict by Debra Dixon
Self-editing for Fiction Writers by Renni Browne and David King

Blogs:

Fiction University (Mentioned above, but covers all writing stages)
A Novel Edit

Publishing: The Final Stage/Sending Your Stuff into the Great Beyond 

I've had a tendency to focus too much on this stage, so I'm only designating a small part of my toolbox to it. Still, it's good to know some basics, such as who your audience is, what genre your book fits in (including what genres are actually out there) and what age group your book will fall under (such as the nuanced differences between Young Adult and Middle Grade, standard word counts, etc.). You can keep an ear to what's trending, but don't marry yourself to it. And don't just write to the market, because it's constantly changing.

Books:

Writer's Market by Robert Lee Brewer (a new one of these comes out every year)

Blogs/Websites:

Absolute Write Water Cooler
Janet Reid, Literary Agent
Fiction University (Mentioned above, but covers all stages of the process)


Okay, your turn! What's in your toolbox?