I’m so
happy to be guest blogging at Operation Awesome today. The lovely writers here
asked me what it was like writing about a culture different from my own, and if
it caused any difficulties with my revisions.
As the
author of the KATANA series (about a girl who gets possessed by a fifteenth
century samurai) I knew that, despite my book being “fantasy” I needed to do my
homework. The biggest setback for me was money. I knew the best way to learn
about the samurai was to actually travel to Japan. But after looking into the
cost of a trip to Japan, I promptly put my eyeballs back into my sockets and
realized I was going to have to go about my research in another way.
So I
went to the library and checked out a mountain of books ranging from the
history of samurai to tourism in Japan, read through all of them, and filled up
three spiral notebooks with just notes. Then I watched documentary after
documentary, and interviewed anyone I could find who’d been to or lived in
Japan. I found a wealth of world travelers by interviewing military members.
And local martial artists were more than happy to answer my questions on
weapons and fighting styles.
I spent
six months on research alone before I ever put pen to paper. So you’d think I’d
be pretty historically accurate, right? Wrong.
Unfortunately,
you can do all the research in the world, and you still won’t get everything
right. You could interview an “expert” who might not have their facts straight.
You could read a book or article based solely on a theory. The sad fact of the
matter is that time warps history. Without a time machine, it’s impossible to
know exactly how thing were—especially the farther along you go. It’s like the
saying goes, the only thing two historians can agree on is how wrong the third
one is.
If you
write about a culture different than your own, especially in a time period
different than your own, you will get critics who will blast loudly just how
wrong and inaccurate you are. I once had a historical romance author tell me
about the hate mail she received from a reader because a character in her book
used a type of drinking glass that wasn’t historically accurate.
Now does
all this mean you shouldn’t take a chance by writing about another culture/time
period? Depends. If you want to write a historical, you’re setting your reader
up for certain expectations and you’re going to have to do a lot of research to
make sure you don’t disappoint. But if you’re writing a fantasy and you make it
clear to the reader that it’s a fantasy, you have a little more wiggle room to
bend the facts. (Spoiler alert: Abraham Lincoln was not really a vampire
slayer.)
In the
end, it comes down to writing what you love. Personally, I’ve always been
fascinated by martial arts and always felt samurai were the fiercest warriors
who ever lived. And I wanted to share my love and fascination with the world. And
with reviews like:
"This action-packed novel has a unique and compelling
plot...Fans of Carrie Asai's Samurai Girl series will be particularly
interested, but even readers who dislike supernatural story lines will enjoy
this tale of modern samurais." - School Library Journal
"An action packed page-turner tempered with slow-burning romance." – Booklist
"An action packed page-turner tempered with slow-burning romance." – Booklist
I think
I may have done just that.
When Cole Gibsen isn't writing books
for young adults, she can be found rocking out with her band, sewing crazy
costumes for the fun of it, picking off her nail polish, or drinking milk
straight from the jug -- provided no one is looking.
You can find her at:
BUY LINKS:
Kill Bill meets Buffy in this supernatural samurai tale
Rileigh Martin would love to believe that adrenaline gave her the uncanny courage and strength to fend off three muggers. But it doesn't explain her dreams of fifteenth century Japan, the incredible fighting skills she suddenly possesses, or the strange voice giving her battle tips and danger warnings. While worrying that she's going crazy (always a reputation ruiner), Rileigh gets a visit from Kim, a handsome martial arts instructor, who tells Rileigh she's harboring the spirit of a five-hundred-year-old samurai warrior.Relentlessly attacked by ninjas, Rileigh has no choice but to master the katana--a deadly Japanese sword that's also the key to her past. As the spirit grows stronger and her feelings for Kim intensify, Rileigh is torn between continuing as the girl she's always been and embracing the warrior inside her.
Obituary-reading emo girl Edith Small is broken - the end result of forcing herself inside a mold that doesn't fit. All she wants is to conform to her strict sergeant stepfather's rules long enough to make it to graduation day. But a boat accident threatens to unravel the life Edith has worked so hard to keep. After waking up in a hospital with a lacerated shoulder, Edith fakes amnesia. Because admitting she received her injuries from a blue-haired girl who breathes underwater is all the reason Sir needs to send Edith on the first bus to military school.
Safe at home, Edith struggles to put the nightmare behind her. But the mysterious creatures that live in the ocean aren't about to let her forget. After meeting Bastin - a strange boy with silver hair and black eyes - on a secluded dock, Edith learns about the war raging undersea to end human existence. A war that Edith, unwittingly, has become the key to winning.
In a world where death is an ever-present shadow and motives are as dark as the bottom of the ocean, Edith must decide if her life is worth risking for a love that can't survive past the shore.
Rileigh must choose: will she save the world or save her soul mate?
Rileigh Martin, the reincarnation of samurai warrior Senshi, is doing her best to balance her samurai life with a normal teenage one. But it isn’t easy when ninjas attack her from the shadows and her growing, unpredictable ki powers cause chaos and dangerous accidents wherever she goes.
While Rileigh keeps catching glimpses of Whitley—who is supposed to be dead—around every corner, she learns that the reincarnated kunoichi (a powerful female ninja) wants to kill her and destroy the world. Son of hibachi!
And then Rileigh’s life hits ten on the suck-o-meter when Kim, her soul mate from her past life, is kidnapped by the ninjas. With time running out, she’s forced to make an impossible choice: save the world or save her true love.
8 comments:
LOL! What? Abe Lincoln wasn't a vampire slayer? ;) Great post! Research can be fun to the point of distraction, but it can also be laborious work, and I'm awed by your dedication to it!
Also, this was awesome: "...the only thing two historians can agree on is how wrong the third one is."
I have to tell you also that your Breathless protagonist's description makes me instantly want to read it: "Obituary-reading emo girl Edith Small is broken - the end result of forcing herself inside a mold that doesn't fit." Who wouldn't want to read about a girl who reads obituaries?
Thank you for coming!!
Good advice! I love to learn about other cultures. Historical-fic is my favorite genre to read, but I have been intimidated about writing it myself. My favorites are the books that make me actually learn, while being entertained. I think I would feel like everything HAS to be historically accurate. I would also get caught up in research for ages before I could write. I may never stop! :) But giving it a fantasy element does change a lot. And I agree that we can never really know exactly what happened in every past. Your books sound intense :)
I had some fear in writing a character of other background in Deadwood, but fear can be good if it makes you work harder to get it right. I found that I addressed my fears in revision, and my character forced my hand by asserting himself and his voice.
I really enjoyed researching for my 1st book, a historical with a ghostly twist--to the point where it was almost hard to stop! But I have to admit it was very freeing to write a contemporary fantasy after it, and not have to worry so much about accuracy.
Thank you! Great advice here!
Thanks for this post! I'm in the planning stages for a book now set in Hawaii, and I've spent so much time researching Hawaiian culture that I've yet to write a word of the actual story. It's reassuring to remember I can always go back later and "fix" what I get wrong!
Cole Gibsen, thanks for the tips. I'm considering doing some travel research by train because I have my character taking this big trip up the northeast. Google searching can only tell me so much.
MT Anderson impressed me. He immersed himself in the culture by reading books only from the time of The Astonishing Life of Octavian Nothing for a year.
Thank you so much for having me and for all the lovely comments!
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